Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 1 of 3Anonymous
History
Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 1 of 3
Anonymous
Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction
Sir Edgar de Neville was at this moment preparing to retire to
rest. Hearing a body of horse drawn up beneath his casement,
however, and a knock that made the glass ring, as if it would
leap out of its crazy leaden frame, inflicted on the gate, he
came to a pause. As he did so, a foreboding that the incident
was some way connected with himself, in reference to the crime he
was charged with, insensibly stole over him, and he waited the
issue with the most intense anxiety.
At last he heard some heavy steps on the adjacent stairs. The
next moment, the door of his chamber was pushed open, and a tall,
sharp-visaged man, habited in a suit of deep brown, and attended
by three soldiers, passed in. Advancing a few paces, he held
out a folded paper to Sir Edgar; and the latter, making a step
forward, took it from him, and drew it open. It was a warrant
from Francis Walsingham, Secretary of State, ordering him to be
removed to the gaol of Newgate, in London.
CHAPTER V.
A few boats’ lengths from the quay of the corporation of Exeter,
in the port of Topsham, on the morning posterior to the date of
the last chapter, there lay several gallant-looking ships, of no
ordinary size and burthen.
There were, as has been observed, several of these ships, but
only one of them has immediate reference to our history; and,
therefore, it is to her alone, at the present moment, that we
have to direct attention.
She was a large vessel, and, though fitted up for the purposes
both of war and traffic, had evidently been constructed, in the
first instance, chiefly with a view to making her a sailer. This
was not only manifest in the rounding of her bows, which was,
considering the practice of the time, rather sharply turned, but
also in a certain slanting in her tall masts, giving her that
look which, in nautical parlance, is termed “rakish.” Her rig
also, in the main, was adapted to develop her sailing qualities,
and was of that hybridous character called “brigantine.” But
although her builder had so laboured to make her a fast vessel,
she was still roomy, and presented a more extensive interior
than one would have expected. Her forecastle was lofty, as was
also her after-deck, or poop, rising a good height above her
deck; and though she was low midships, or in that part of her
hull between the forecastle and poop, this showed her dimensions
to disadvantage. There were two brass guns mounted on her
forecastle, and two others, of rather a larger bore, on her
poop, which was further defended by a long swivel-gun, peeping
out on her stern. With this latter part of the ship, where his
labours finished, the builder had taken considerable pains,
having adorned its outline with a border of relievo flowers,
enclosing, about the centre of the elevation, an ingenious
representation of three casements. The two outer casements were
represented to be open, and here the artist had found room to
show his knowledge of details; the ideal aperture of the two
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