Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 2 of 3Anonymous
History
Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 2 of 3
Anonymous
Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction
“Shiver my topsail!” cried the honest tar, in an odd mixture of
Spanish and English phrases, “but I be heartily glad to see thee
afloat again, Master Don. ’Tis sheer idling to lay long on one’s
beam-ends. Life is but short; let us live well on the road, says
the gentle Shepherd of Salisbury Plain.”
“I thank you both, fair gentlemen,” answered Don Rafaele. “I now
feel quite strong again, though, having the heart of a landsman,
I still long for the shore. But have we the breeze with us?” he
added, with that curiosity about the wind, which, whatever may be
our situation, one always feels at sea, and is never inclined to
check.
“Right heartily,” replied Hildebrand. “Mark how gallantly we
buffet the waves!”
Don Rafaele, with a smile, raised his eyes, and swept them
eagerly around.
When we behold ourselves out of sight of land for the first
time, with no horizon, as far as the eye can any way pierce, but
the unbroken sky, rising from the water’s edge in gradual and
inseparable lines, and covering the vast circle we move in with
its eternal dome--which, shoot forward as we may, still presents
the same circuit, and seems to hold us ever in its centre;--when
we view such a prospect for the first time, the heart feels, in
the surrounding immensity, a keener sense of its own littleness,
and of its insignificance in the scale of the creation, than in
any other situation that life affords. The black waves, mounting
in a hundred heads, and then falling under one crowning swell,
which, rolling forward, is itself overtopped, and lost in its
successor:--the black waves, thus rushing by, remind one of the
onward course of life, of the mutability of human fortunes, and
the briefness of mortality.
Such was the reflection that rose in the mind of the young
Spaniard. But it passed away directly, and the more cheerful
features of the scene--for it was not without cheerful
features--engaged his whole attention.
Public-domain text, read in full here on John Shaqi.
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