Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 2 of 3Anonymous
History
Hildebrand; or, The Days of Queen Elizabeth, An Historic Romance, Vol. 2 of 3
Anonymous
Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction
She had just seated herself at the breakfast-table, with Martha,
who was now her only and constant companion, seated at its lower
end, when old Adam Green, her father’s valet, entered the chamber
with a letter.
“There is a serving-man below, my lady,” he said, presenting the
letter to Evaline, “who charged me to bring thee this; but he
holds the name of the writer a secret. Master Gray is also below.”
“Bid Master Gray come to me, Adam,” answered Evaline, at the same
time accepting the letter.
Her countenance fell as she tore the letter open. It was from Sir
Walter Raleigh; and informed her, in a few cautious words, of
that person’s loss of the Queen’s favour, and forced retirement
from the court. Thus, in one brief moment, were all her hopes
blighted,--all her expectations overthrown.
After she had once learned the tenor of the letter, she hardly
retained sufficient perception to carry her to its close. As her
eye arrived at the concluding signature, she felt her head whirl
again; and, dropping the letter, she fell back in her chair in a
swoon.
Martha, who had been anxiously watching for the effect which the
letter would produce on her features, and, seeing her become
dejected, was preparing to console her, sprang to her assistance
in a moment. But, unused to see her so deeply moved, the fair
girl was herself so agitated, and, withal, so ignorant of what
would be serviceable in such a case, that she could do no more
than catch her in her arms, and call for more efficient succour.
Aid was nearer than she supposed. While she was yet calling out,
the door of the chamber, which was right opposite to where she
stood, was pushed open, and Bernard Gray rushed in.
“What hath happened?” he cried, with a look of concern, at the
same time springing to her side.
He needed no explanation when he had once glanced at the face of
Evaline. Without saying a word, he caught up a jug of water from
the table, and proceeded, with all the tenderness of a nurse, to
lave it gently over her temples. He watched the effect of his
application with the most intense anxiety. No one, indeed, could
have gazed on that fair face, now void of bloom and expression,
without feeling an almost equal degree of interest and sympathy.
Its surpassing beauty looked all the purer and more refined for
its lack of animation. Her black hair, falling loosely back, in
a dozen fairy ringlets, seemed almost to sparkle in its contrast
with her alabaster forehead. The long, raven fringe of her
eyelids, which, from their exquisite sphericity, were themselves
invested with a charm, was equally striking, and nearly as
fascinating as her veiled eyes. Her every feature, indeed, from
her brow downwards, still held out some attraction, which would
not have been apparent in the animation of the whole, and would
have lost its softness under the touch of expression.
Public-domain text, read in full here on John Shaqi.
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