Hildreth's "Japan as It Was and Is": A Handbook of Old Japan, Volume 2 (of 2)Hildreth, Richard
History
Hildreth's "Japan as It Was and Is": A Handbook of Old Japan, Volume 2 (of 2)
Hildreth, Richard
Japan -- History
The next day (Friday, March 9) brought them, most of the way through
a flat, well-cultivated country, to the city of Suruga, capital of
the province of that name. The streets, broad and regular, crossed
each other at right angles, and were full of well-furnished shops.
Paper stuffs, curiously flowered, for hats, baskets, boxes, etc., also
various manufactures of split and twisted reeds, and all sorts of
lackered ware, were made here. There was also a mint here, as well as
at Miyako and Yedo, where koban and ichibu were coined. It had a castle
of freestone, well defended with ditches and high walls.
A few miles from Suruga were kept certain war-junks for the defence of
the bay of Tōtōmi; and just beyond, upon a high mountain, stood the
fortress of Kunō, esteemed by the Japanese impregnable. It was built
to contain the imperial treasures, but they had since been removed to
Yedo.
In the course of the next day (Saturday, March 10) the road turned
inland, in order to cross the great river Fujigawa, which enters into
the head of the bay, taking its rise in the high, snowy mountain
Fuji-no-Yama.[22] It was crossed in flat broad-bottomed boats,
constructed of thin planks, so as on striking the rocks to yield and
slip over. The mountain Fuji, whence this river takes its rise and
name, towers in a conical form above all the surrounding hills, and
is seen at a great distance. It is ascended for the worship of the
Japanese god of the winds, to whom the Yamabushi, or mountain priests,
are consecrated, and who frequently repeat the words _Fuji Yama_,, in
discoursing or begging. It takes three days to ascend this mountain;
but the descent can be made, so Kämpfer was told, in three hours, by
the help of sledges of reeds or straw, tied about the waist, by means
of which one may glide down over the snow in winter and the sand in
summer, it being surprisingly smooth and even. Japanese poets cannot
find words, Kämpfer tells us, nor Japanese painters colors, in which to
represent this mountain as they think it deserves.
[Illustration: THE MARKETING AND PREPARATION OF FOOD: A KITCHEN,
SHOWING UTENSILS; A FISHMONGER]
Public-domain text, read in full here on John Shaqi.
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