Then Rougon followed her and they paced the room together. He tried, in his turn, to extract a confession from her. As a rule, she could not be got to answer questions. Her conversation usually consisted of sudden starts and jumps, interspersed with ejaculations and snatches of stories which she never finished. When Rougon adroitly questioned her concerning the fortnight of the previous month which she and her mother had spent away from Paris, she started on an interminable string of anecdotes about her journeyings. She had been everywhere, to England, Spain, and Germany; and she had seen everything. Then she vented a series of trifling remarks upon food, and the fashions and the weather. Now and then she began some story, in which she herself figured with sundry well-known persons, whom she named; and, thereupon, Rougon listened attentively, hoping that she was at last going to make some real revelation; but she either turned the story off into some childish nonsense or stopped short and left it unfinished altogether. That day, as previously, he learnt absolutely nothing. Her face retained its impenetrable smile, and she remained full of secretive reserve amidst all her boisterous freedom. Rougon, quite confused by the different extraordinary stories he had heard of her, each of which gave the lie to the other, was utterly unable to determine whether he had before him a mere girl whose innocence extended even to foolishness, or a keen-witted woman who cunningly affected simplicity. She was telling him of an adventure that had happened to her in a little town in Spain, and of the gallantry of a traveller who had given up his room to her, when she suddenly broke off and exclaimed: 'You mustn't go back to the Tuileries. Make yourself missed.' 'Thank you, Mademoiselle Machiavelli,' he replied, with a laugh. She laughed louder than he did, but none the less she went on giving him excellent advice. However, as he still sportively tried to pinch her arms, she seemed to grow vexed and declared that it was impossible to talk to him seriously for a couple of minutes together. Ah! if she were a man, she said, she would know how to mount high. But men were so light-headed. 'Come now and tell me about your friends,' she continued, seating herself on the edge of the table, while Rougon remained standing in front of her. Just then, however, Luigi, who had kept his eyes on them, violently closed his paint-box and exclaimed: 'I'm going!' At this Clorinde ran up to him, and brought him back, after promising to resume her pose. Probably, however, her only motive in asking him to remain was that she felt afraid of being left alone with Rougon, for when Luigi had assented to her request, she began to make further excuses for the purpose of gaining time. 'Just let me get something to eat,' she said; 'I am dreadfully hungry. Just a couple of mouthfuls.' And then opening the door, she called out: 'Antonia! Antonia!'