Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
At this there was a protest. Gagnière was a bore. Besides, he would turn
up as soon as he smelt the soup.
‘Let’s be off, then,’ said Sandoz. ‘There’s a leg of mutton this
evening, so let’s try to be punctual.’
Each paid his score, and they all went out. Their departure threw the
café into a state of emotion. Some young fellows, painters, no doubt,
whispered together as they pointed at Claude, much in the same manner
as if he were the redoubtable chieftain of a horde of savages. Jory’s
famous article was producing its effect; the very public was becoming
his accomplice, and of itself was soon to found that school of the open
air, which the band had so far only joked about. As they gaily said, the
Café Baudequin was not aware of the honour they had done it on the day
when they selected it to be the cradle of a revolution.
Fagerolles having reinforced the group, they now numbered five, and
slowly they took their way across Paris, with their tranquil look of
victory. The more numerous they were, the more did they stretch across
the pavement, and carry away on their heels the burning life of the
streets. When they had gone down the Rue de Clichy, they went straight
along the Rue de la Chaussée d’Antin, turned towards the Rue de
Richelieu, crossed the Seine by the Pont des Arts, so as to fling their
gibes at the Institute, and finally reached the Luxembourg by way of
the Rue de Seine, where a poster, printed in three colours, the
garish announcement of a travelling circus, made them all shout with
admiration. Evening was coming on; the stream of wayfarers flowed more
slowly; the tired city was awaiting the shadows of night, ready to yield
to the first comer who might be strong enough to take her.
On reaching the Rue d’Enfer, when Sandoz had ushered his four friends
into his own apartments, he once more vanished into his mother’s room.
He remained there for a few moments, and then came out without saying
a word, but with the tender, gentle smile habitual to him on such
occasions. And immediately afterwards a terrible hubbub, of laughter,
argument, and mere shouting, arose in his little flat. Sandoz himself
set the example, all the while assisting the charwoman, who burst into
bitter language because it was half-past seven, and her leg of mutton
was drying up. The five companions, seated at table, were already
swallowing their soup, a very good onion soup, when a new comer suddenly
appeared.
‘Hallo! here’s Gagnière,’ was the vociferous chorus.
Public-domain text, read in full here on John Shaqi.
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