Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
Gagnière, short, slight, and vague looking, with a doll-like startled
face, set off by a fair curly beard, stood for a moment on the threshold
blinking his green eyes. He belonged to Melun, where his well-to-do
parents, who were both dead, had left him two houses; and he had learnt
painting, unassisted, in the forest of Fontainebleau. His landscapes
were at least conscientiously painted, excellent in intention; but his
real passion was music, a madness for music, a cerebral bonfire which
set him on a level with the wildest of the band.
‘Am I in the way?’ he gently asked.
‘Not at all; come in!’ shouted Sandoz.
The charwoman was already laying an extra knife and fork.
‘Suppose she lays a place for Dubuche, while she is about it,’ said
Claude. ‘He told me he would perhaps come.’
But they were all down upon Dubuche, who frequented women in society.
Jory said that he had seen him in a carriage with an old lady and her
daughter, whose parasols he was holding on his knees.
‘Where have you come from to be so late?’ asked Fagerolles of Gagnière.
The latter, who was about to swallow his first spoonful of soup, set it
in his plate again.
‘I was in the Rue de Lancry--you know, where they have chamber music.
Oh! my boy, some of Schumann’s machines! You haven’t an idea of them!
They clutch hold of you at the back of your head just as if somebody
were breathing down your back. Yes, yes, it’s something much more
immaterial than a kiss, just a whiff of breath. ‘Pon my honour, a fellow
feels as if he were going to die.’
His eyes were moistening and he turned pale, as if experiencing some
over-acute enjoyment.
‘Eat your soup,’ said Mahoudeau; ‘you’ll tell us all about it
afterwards.’
The skate was served, and they had the vinegar bottle put on the table
to improve the flavour of the black butter, which seemed rather insipid.
They ate with a will, and the hunks of bread swiftly disappeared. There
was nothing refined about the repast, and the wine was mere common
stuff, which they watered considerably from a feeling of delicacy, in
order to lessen their host’s expenses. They had just saluted the leg of
mutton with a hurrah, and the host had begun to carve it, when the door
opened anew. But this time there were furious protests.
‘No, no, not another soul! Turn him out, turn him out.’
Dubuche, out of breath with having run, bewildered at finding himself
amidst such howling, thrust his fat, pallid face forward, whilst
stammering explanations.
‘Really, now, I assure you it was the fault of the omnibuses. I had to
wait for five of them in the Champs Elysées.’
‘No, no, he’s lying!--Let him go, he sha’n’t have any of that mutton.
Turn him out, turn him out!’
All the same, he ended by coming in, and it was then noticed that he
was stylishly attired, all in black, trousers and frock-coat alike, and
cravated and booted in the stiff ceremonious fashion of some respectable
member of the middle classes going out to dinner.
Public-domain text, read in full here on John Shaqi.
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