Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
Meanwhile, Dubuche, who had rather domesticated tastes, helped Sandoz
to hand the tea round, and the din continued. Fagerolles related a story
about Daddy Malgras and a female cousin by marriage, whom the dealer
offered as a model on conditions that he was given a presentment of her
in oils. Then they began to talk of models. Mahoudeau waxed furious,
because the really well-built female models were disappearing. It was
impossible to find one with a decent figure now. Then suddenly the
tumult increased again; Gagnière was being congratulated about a
connoisseur whose acquaintance he had made in the Palais Royal one
afternoon, while the band played, an eccentric gentleman living on a
small income, who never indulged in any other extravagance than that of
buying pictures. The other artists laughed and asked for the gentleman’s
address. Then they fell foul of the picture dealers, dirty black-guards,
who preyed on artists and starved them. It was really a pity that
connoisseurs mistrusted painters to such a degree as to insist upon
a middleman under the impression that they would thus make a better
bargain. This question of bread and butter excited them yet more, though
Claude showed magnificent contempt for it all. The artist was robbed,
no doubt, but what did that matter, if he had painted a masterpiece,
and had some water to drink? Jory, having again expressed some low ideas
about lucre, aroused general indignation. Out with the journalist!
He was asked stringent questions. Would he sell his pen? Would he not
sooner chop off his wrist than write anything against his convictions?
But they scarcely waited for his answer, for the excitement was on the
increase; it became the superb madness of early manhood, contempt for
the whole world, an absorbing passion for good work, freed from all
human weaknesses, soaring in the sky like a very sun. Ah! how strenuous
was their desire to lose themselves, consume themselves, in that brazier
of their own kindling!
Bongrand, who had not stirred the while, made a vague gesture of
suffering at the sight of that boundless confidence, that boisterous
joy at the prospect of attack. He forgot the hundred paintings which
had brought him his glory, he was thinking of the work which he had left
roughed out on his easel now. Taking his cutty from between his lips, he
murmured, his eyes glistening with kindliness, ‘Oh, youth, youth!’
Until two in the morning, Sandoz, who seemed ubiquitous, kept on pouring
fresh supplies of hot water into the teapot. From the neighbourhood,
now asleep, one now only heard the miawing of an amorous tabby. They all
talked at random, intoxicated by their own words, hoarse with shouting,
their eyes scorched, and when at last they made up their minds to go,
Sandoz took the lamp to show them a light over the banisters, saying
very softly:
‘Don’t make a noise, my mother is asleep.’
The hushed tread of their boots on the stairs died away at last, and
deep silence fell upon the house.
Public-domain text, read in full here on John Shaqi.
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