Historic buildings : $b as seen and described by great writers
History
Historic buildings : $b as seen and described by great writers
Architecture -- History; Art -- Study and teaching; Historic buildings
The stream in the streets sets steadily towards the Golden Temple.
From the heavy-browed city gate to the holy pool the winding alleys
are splashed with all the familiar hues--orange outshining lemon
and emerald throttling ultramarine. Following the stalwart, bearded
pilgrims, in the midst of the city of shopkeepers you suddenly break
into a wide square: within it, bordered by a marble pavement--white,
black, and umber--a green lake dances in the sunlight; and in the midst
of that, mirrored in the pool--you look through your eyelashes, for the
hot rays fling back sevenfold-heated, blinding--gleam walls and roofs
and cupolas of sheer gold.
A minute or two you blink and stare, then you see that it is a small
temple on an island with a causeway leading to it from under an arch.
And after the first blink and stare your notions of beauty rise up and
protest against it. The temple is neither imposing by size nor winsome
by proportion. It has two stories--the lower of marble, inlaid, like
the marble of Agra, with birds and beasts and flowers, but with none
of Agra’s grace and refinement; all above it is of copper-gilt. Above
the second story rises something half-cupola, half-dome, but it is not
in the middle; there are smaller cupolas at the side overlooking the
causeway, and others smaller still at the far side. The whole temple
is smaller than St. Clement Danes, and a little building has no right
to be irregular. If the Taj Mahal, you say, which is three times this
size, can take the trouble to be symmetrical--well, if this is the
masterpiece of modern India--as for the gold, it blinds you for the
first moment and amuses you for the second; but you might as well ask
beauty of a heliograph.
Nevertheless, do not go away, for you will hardly see anything more
Indian. Outside the gate they show you a Government ordinance that
everybody must either conform to the religious customs of the place
or forbear to indulge his curiosity; you bow, and a bearded giant,
who might be a high-priest for dignity, takes off your boots and
ties on silk slippers instead. You leave your cigar-case behind you:
tobacco must not defile the holy place. Then, behind a white-bearded
policeman--who performs the triple function of guiding, preventing you
from doing anything impious, and clearing worshippers out of the way
before you--you start forth to see.
Public-domain text, read in full here on John Shaqi.
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