Historic doorways of Old SalemNorthend, Mary Harrod
History
Historic doorways of Old Salem
Northend, Mary Harrod
Architecture -- Massachusetts -- Salem; Architecture, Colonial; Doorways; Salem (Mass.) -- Buildings, structures, etc.
The truth is that the ‘side-door’ was the normal entrance. In this part
of the house were the kitchen and living-room. Here the occupants of
the house spent most of their time, and here it was natural to seek
them, whether for purposes of business or merely for the social gossip
which made up so large a part of the simple life of the times.
But with improvement in the type of Salem houses, the enlarging of
rooms and hallways, and the more careful attention which then began to
be given to front entrances and porches, a corresponding change took
place in the mental attitude toward the stranger. The wide and handsome
doorway invited him; it was ready to welcome him. But how should he
announce his presence? The old-time knocker was the answer.
The study of old knockers furnishes a delightful occupation for the
lover of antiques. As found upon the doors of old Salem houses, they
furnish conspicuous and charming examples, not only of the art of the
craftsman in brass, who loved his work and lent to each specimen turned
out by him the impress of his individuality, but of the fondness of our
forbears for artistic and symbolic forms, together with an appreciation
of classic myths and allegories which is very striking, to those who
think of the early Colonists as hard men, with no richness of culture
and no love of beauty.
The very earliest Salem knockers were no doubt of iron, usually in the
form of a ring, and serving also the purpose of a door-pull--as in the
case of the Parkman and Bradstreet mansions, of which pictures may be
seen in the Essex Institute, or in that of the Rebecca Nurse house in
Danvers, once a part of Old Salem.
The knocker, however, became gradually more artistic and elaborate.
Brass was used instead of iron; and the effect of this against the
paneled door of green or white, perhaps of mahogany, was effective and
pleasing.
Knockers of the second type comprise the hammer form in all its
variations; while those of the third type are marked by the
representation of human heads, animals, birds, or fishes. These had
their origin in Italy, in the best days of the Renaissance, and the
examples found in Old Salem are true to artistic type.
[Illustration: OLD SALEM KNOCKERS
(See pages 90-93)]
No. 1. A handsome example of the so-called ‘urn shape’ is found on the
door of the Ropes house at 373 Essex Street. Its graceful curves are
most pleasing to the eye and its beauty consists largely in the pure
simplicity of its design.
No. 2. One of the many variations of the ‘hammer’ type of knocker.
This one, quite simple in pattern, ornaments the door at the home of
Dr. Kittridge, on Chestnut Street. This has the general shape of an
old-fashioned thumb-latch door-handle, and might conceivably be used
as a door-pull.
Public-domain text, read in full here on John Shaqi.
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