Other plants, as the thistle, convolvulus, daisy, vines, and grapes, &c., were used very much in decoration, especially during the Akhenaten period (Eighteenth and Nineteenth Dynasties), when the decoration was of a florid kind. The papyrus is seen in the ceiling ornament Fig. 123, No 6, at Fig. 127, and on the perfume spoon of carved wood (Fig. 151). The ceiling decorations (Fig. 123), from the Theban tombs, show the fine sense and feeling the Egyptians had for the appropriate decoration of flat surfaces, and the judicious balance maintained in the contrasting units of the ornament. [Illustration: Fig. 124.—Lotus and Water Ornament.] [Illustration: Fig. 125.—Painted Border: from Thebes, after Prisse. (P. & C.)] [Illustration: Fig. 126.—Flattened Form of Lotus-leaf Ornament; Front View and Section 1. (P. & C.)] In animal forms found in Egyptian decoration there are a few distinct and typical varieties, that have been used times without number, both in painting and in carving in the round, and in the bas-reliefs of stone, wood, and in gold, silver, ivory, and bronze. Among the most frequent is the vulture, with outstretched wings, having sacred symbols in his claws. It has been used appropriately in this form as ceiling decoration in the great temples at Thebes, on a blue ground diapered with golden stars; the ceilings thus are symbolic representations of the heavens at night (Fig. 128). [Illustration: Fig. 127.—Hunting in a Marsh; from a Bas-Relief in the Tomb of Ti. (P. & C.)] [Illustration: Fig. 128.—Vultures on a Ceiling. (P. & C.)] Similar outstretched wings have been added to the scarabs or sacred beetles. These winged scarabs, together with similar winged-globe and uræus creations, have been used as ceiling decorations in tombs and on mummy-cases, and sometimes the goddess Isis, or Nepththys, was furnished with these wings as guardian of the tomb (Figs. 129 and 130). [Illustration: Fig. 129.—Winged-Globe with Uræus. (P. & C.)] The Uræus and winged-globe was a favourite decoration for cornices and for heads of doorways (Fig. 108). The colouring of the winged-globe decoration was generally, in the case of the globe, a red colour, as the emblem of the sun; the wings green, and the striped ground behind the figure was painted in alternating stripes of red, blue, and white, which produced an effective arrangement of colour. The Egyptians excelled in the drawing of animals and birds in outline, and in bas-relief carvings of them, some examples of which are given at Figs. 131, 132, 133. [Illustration: Fig. 130.—Painting on Mummy-Case. (P. & C.)] [Illustration: Fig. 131.—Hunting in the Desert. (M.)] Many chimerical animals or monsters were used in Egyptian decoration, as sphinxes, or imaginary animals of the desert, which were really fanciful creations of the artist’s pencil (Figs. 134, 135, 136, 137).