Historic Tales: The Romance of Reality. Vol. 06 (of 15), FrenchMorris, Charles
History
Historic Tales: The Romance of Reality. Vol. 06 (of 15), French
Morris, Charles
France -- History
This day the work displayed worthily followed the promising preface.
After a preliminary bout with spears, the combatants seized their
battle-axes, and hewed at each other with the vigor of two woodmen
felling a mighty oak. The edges of the axes being spoiled, the knights
drew their well-tempered swords and renewed the combat with the
lustihood of the heroes of the Round Table, fighting so fiercely that it
was not easy to follow the gleam of the swift-flashing blades. In the
end the Burgundian proved himself more than a match for the Sicilian,
driving him back, hewing rents in his armor, and threatening him with
speedy death. At this stage of the affray Duke Philip, at the request of
the Duke of Orleans, flung his truncheon into the lists and ended the
fight, in time to save the Sicilian knight.
His signal victory won Sir Jacques much fame. His antagonist was a man
of mark, and the Burgundian knight gained from his prowess the
appellation of "The Good Knight," which he maintained throughout his
career. He now determined to take up the profession of knight-errant,
travelling from court to court, and winning smiles and fame wherever
lists were set up or men of prowess could be found. But first he sought
his home and the approval of his parents.
"Go on thy way, with God's blessing," said his stout sire, who had
cracked skulls in his day and was proud of his doughty son.
"Yes, go on thy way, Jacques," said his mother in milder tone, and with
moist eyes. "I have put a healing ointment in thy valise, that will cure
bruises. If thou shouldst break a bone, Heaven send thee a skilful
surgeon."
Into France rode Sir Jacques, well mounted, and with squire and page in
his train, in search of adventures and opponents, eager for fame and
profit. From his left arm, fastened by a chain of gold, hung a splendid
helmet, which he offered as a prize to any knight who could overcome him
in single combat. To this he added a diamond, which he agreed to present
to any lady whom his victor should name. Whoever should first drop his
axe in the combat was to bestow a bracelet on his opponent. To this
Jacques added a singular stipulation, significant of queer doings in
those days, that neither knight should be fastened to his saddle. For
all else, he put his trust in God and his own right arm, and in the aid
that came to him from the love of "the fair lady who had more power over
him than aught besides throughout the entire world."
Public-domain text, read in full here on John Shaqi.
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