The people had risen as Julian entered, and many tribunes had shouted “Long live the Emperor!” but thereupon there followed an embarrassing silence, during which the Emperor was regarded with cold curiosity. When at last the latter was weary of waiting, he called his secretary, the Hebrew Eleazar, and commanded him to go to the prefecture in order to find out the reason of the defaulters’ absence, and at the same time he gave the signal for the play to commence. The actors entered, and at the altar commenced to offer the ancient kind of sacrifice which used to serve as an introduction to tragedies. Since animal sacrifices had ceased in all religions, even in the Jewish after the destruction of the Temple, under Titus in A.D. 70, this unusual proceeding aroused great curiosity. The legionaries were inured to the sight of blood, but the citizens and their wives turned away when the goat was sacrificed to Dionysus. People sought to find the reason for Julian’s wish to reintroduce this custom in his laudable attempt to mingle all religions together, and to discover a deeper meaning in the ceremonies of all. The offering indeed was a gift, a sacrifice, and an expression of gratitude, but Maximus the mystic had also persuaded the Emperor that there were hidden powers in the blood itself, the source of life, which attracted spiritual forces of a lower order. Man shed his mother’s blood at his birth and the sacred institution of circumcision was intended to be a reminder of the bloody and painful operation of birth. Slaves were slaughtered on the graves of chieftains, and in the time of Julius Caesar the Romans had on one extraordinary occasion sacrificed three hundred prisoners. Captivated by this and by similar philosophical arguments, Julian was enticed into a course which was destined to lead to his destruction. After the sacrifice, at which the soldiers had laughed and the women had wept, the drama commenced in the poet’s original language. Greek was indeed spoken by all people of cultivation from Palestine to Gaul, but the uneducated did not know it, and therefore the citizens sat there inattentively. As the chorus entered for the second time, Eleazar returned with news. “This is what has happened,” he said. “The Bishop of Sens, the Primate of the Church of Gaul, has entered the town, and is performing mass in the church. The high officials are present there, and they accordingly beg to be excused attending on the Emperor. They thought that he was aware that Christians never go to the theatre, and they rely upon the edict granting religious liberty.” Julian turned white with rage. “Good! They shall pay for that! Now, my Jewish friend, Eleazar, you shall sit near and talk with me. The actors are wretched, and I cannot endure their pronunciation of Greek.”