History of a literary radical, and other essaysBourne, Randolph Silliman
General
History of a literary radical, and other essays
Bourne, Randolph Silliman
American essays -- 20th century
These studies formed a useful introduction when she received me in
the little old-fashioned apartment in the Batignolles quarter on my
first visit. She had made them ever since she was five years old in
a wonderful old convent at Bourges; and in the town had lived her
grandmother, a very old lady, whom she had gone lovingly to see, as
often as she could be away from the watchful care of the nuns. In
her she had found her real mother, for her parents had been far away
in Brittany. When the old lady died, my friend had to face an empty
world, and to become acquainted all over again with a mother whom
she confessed she found “little sympathetic.” But she was a girl of
_devoir_, and she would do nothing to wound her.
She told me one afternoon as we took our first walk through the dusky
richness of the Musée Cluny, that the shock of death had disclosed
to her how fleeting life was, how much she thought of death, and
how much she feared it. I used the lustiness of her grandmother’s
eighty-four years to convince her as to how long she might have to
postpone her dread, but her fragile youth seemed already to feel the
beating wings about her. As she talked, her expression had all that
wistful seriousness of the French face which has not been devitalized
by the city, that sense of the nearness of unutterable things which
runs, a golden thread, through their poetry. Though she had lived away
from Brittany, in her graver moments there was much in her of the
patient melancholy of the Breton. For her father’s people had been
sea-folk,--not fishermen, but pilots and navigators on those misty and
niggardly shores,--and the long defeat and ever-trustful suffering was
in her blood. She would interpret to me the homely pictures at the
Luxembourg which spoke of coast and peasant life; and her beautiful
articulateness brought the very soul of France out of the canvases of
Cottet and Breton and Carrière. She understood these people.
But she was very various, and, if at first we plumbed together the
profoundest depths of her, we soon got into shallower waters. The
fluency of her thought outran any foreign medium, and made anything but
her flying French impossible. Her meager English had been learned from
some curious foreigner with an accent more German than French, and we
abandoned it by mutual consent. Our conversation became an exchange of
ideas and not of languages. Or rather her mind became the field where I
explored at will.
I think I began by assuming a Catholic devotion in her, and implied
that her serious outlook on life might lead her into the church. She
scoffed unmitigatedly at this. The nuns were not unkindly, she said,
but they were hard and narrow and did not care for the theater and for
books, which she adored.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account