History of a literary radical, and other essaysBourne, Randolph Silliman
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History of a literary radical, and other essays
Bourne, Randolph Silliman
American essays -- 20th century
The French situation was perhaps quite as bad as it was pictured.
Friendship between a girl and a young man was almost impossible.
It was that they usually wished to love her. She did not mind them
on the streets. The students--oh, the students!--were frightfully
annoying; but perhaps one gave a _gifle_ and passed rapidly on. Her
parents, before she had become genuinely the captain of her soul, had
tried to marry her off in the orthodox French way. She had had four
proposals. Risking the clean candor of the French soul, I became
curious and audacious. So she dramatized for me, without a trace of
self-consciousness, a wonderful little scene of provincial manners.
The stiff young Frenchman making his stilted offer, her self-possessed
reluctance, her final refusal, were given in inimitable style. These
incidents, which in the life of a little American _bourgeoise_ would
have been crises or triumphs, and, at any rate, unutterably hoarded
secrets, were given with a cold frankness which showed refreshingly to
what insignificance marriage was relegated in her life. She wished, she
said, to _vivre sa vie_--to live her life. If marriage fitted in with
her living of her life, it might take her. It should never submerge
or deflect her. Countless Frenchwomen, in defiance of the strident
Anglo-Saxon belief, were able both to keep a household and to earn
their own living; and why not she also? She would always be free; and
her black eyes burned as they looked out so fearlessly into a world
that was to be all hers, because she expected nothing from it.
About this world, she had few illusions. To its worldlinesses and
glitter she showed really a superb indifference. I brutally tried to
trap her into a confession that she spurned it only because it might
be closed to her through lack of money or prestige. Her eloquent eyes
almost slew me with vivacious denial. She despised these “dolls” whose
only business in life was to wear clothes. Her own sober black was
not affectation, but only her way of showing that she was more than a
_poupée_. She did not say it, but I quite appreciated, and I knew well
that she knew, how charming a _poupée_ she might have made.
Several of her friends were gay and worldly. She spoke of them with
charming frankness, touching off, with a tone quite clean of malice,
all their little worthlessnesses and futilities. Some of this world,
indeed, shaded off into unimaginable _nuances_, but she was wholly
aware of its significance. In the inimitable French way, she disdained
to use its errors as a lever to elevate her own virtues.
III
Public-domain text, read in full here on John Shaqi.
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