History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
The personages with whom we have to deal in this section are, besides
Dionysos himself, his spouse Ariadne, Pan, with his “double” Aegipan,
and the motley rout of Satyrs, Seileni, and Maenads, who appear either
in the wine-god’s company or by themselves. Dionysos is generally
accompanied by one or more Maenads or Seileni, whether engaged in some
definite action, such as pouring wine or playing flutes, or no; but he
is also not infrequently seen as a single figure.[621] On the earlier
vases he is elderly and bearded, but on the later youthful and
beardless. He is occasionally represented with horns,[622] or in the
form of a man-headed bull.[623] He is depicted sacrificing at an
altar,[624] pouring a libation,[625] or slaying a fawn[626] or goat
χιμαιροφόνος[627]; banqueting,[628] or playing on the lyre.[629] He
rides on a bull,[630] goat,[631] mule,[632] or panther,[633] or in a
winged chariot[634]—in one case drawn by Gryphons, in another by a
Gryphon, bull, and panther[635]—or in a chariot shaped like a
ship[636]; or is carried by a Seilenos.[637] On a beautiful cup by
Exekias[638] he sails over the ocean in a boat, the mast of which grows
into a vine. We are reminded in this scene of the Homeric hymn (xix.)
and the story of the Tyrrhenian pirates, a subject which, according to
one interpretation, is represented on a vase at Athens.[639]
His birth is not often represented, and chiefly on R.F. vases[640]; it
has been referred to already in detail, in reference to Zeus. When
handed over to Hermes,[641] the newly born infant is conveyed by that
god to Nysa, where he is finally delivered to a Seilenos, to be nursed
by the Nymphs of that place.[642] Or he is handed directly to a Nymph
by Zeus,[643] or, by a curious error or confusion on the artist’s part,
to Ariadne, his future bride.[644] There is a possible representation
of the Indian Dionysos or Bassareus,[645] India being the land whence
he was fabled to come; and other vases represent various events
connected with his first manifestation of himself in Greece: such as
the madness he brought on Lykourgos, who refused to receive him,[646]
and his subsequent sacrifice after his triumph[647]; the death of the
similarly contumelious Pentheus (the story on which the plot of the
_Bacchae_ turns)[648]; or his supposed visit to the Athenian
Ikarios.[649] He sometimes appears with his mother Semele, whom he
brings back from Hades[650]; in one or two instances their heads are
seen rising from the ground to indicate their return from the nether
world.[651] They are then solemnly introduced into Olympos.[652]
Public-domain text, read in full here on John Shaqi.
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