** This costume, to which Egyptologists have not given sufficient attention, is frequently represented on the monuments. Besides the two statues reproduced above, I may cite those of Uahibri and of Thoth-nofir in the Louvre, and the Lady Nofrit in the Gizeh Museum. Thothotpu in his tomb wears this mantle. Khnumhotpu and several of his workmen are represented in it at Beni-Hasan, as also one of the princes of Elephantine in the recently discovered tombs, besides many Egyptians of all classes in the tombs of Thebes (a good example is in the tomb of Harmhabi). The reason why it does not figure more often is, in the first place, that the Egyptian artists experienced actual difficulty in representing the folds of its drapery, although these were simple compared with the complicated arrangement of the Roman toga; finally, the wall-paintings mostly portray either interior scenes, or agricultural labour, or the work of various trades, or episodes of war, or religious ceremonies, in all of which the mantle plays no part. Every Egyptian peasant, however, possessed his own, and it was in constant use in his daily life. In fact, it did duty as a cloak, sheltering the wearer from the sun or from the rain, from the heat or from the cold. They never sought to transform it into a luxurious garment of state, as was the case in later times with the Roman toga, whose amplitude secured a certain dignity of carriage, and whose folds, carefully adjusted beforehand, fell around the body with studied grace. The Egyptian mantle when not required was thrown aside and folded up. The material being fine and soft it occupied but a small space and was reduced to a long thin roll; the ends being then fastened together, it was slung over the shoulder and round the body like a cavalry cloak.[*]