History of English Humour, Vol. 2L'Estrange, A. G. K. (Alfred Guy Kingan)
History
History of English Humour, Vol. 2
L'Estrange, A. G. K. (Alfred Guy Kingan)
English wit and humor -- History and criticism; Wit and humor -- History and criticism
"_For the Language_--(I mean the diction.) Here it will do well to
be an imitator of Milton, for you will find it easier to imitate
him in this, than in anything else. Hebraisms and Grecisms are to
be found in him without the trouble of learning the languages. I
knew a painter who (like our poet) had no genius, make his daubings
to be thought originals by setting them in the smoke. You may in
the same manner give the venerable air of antiquity to your piece,
by darkening it up and down with old English. With this you may be
easily furnished upon any occasion by the dictionary commonly
printed at the end of Chaucer.
"I must not conclude without cautioning all writers without genius
in one material point, which is, never to be afraid of having too
much fire in their works. I should advise rather to take their
warmest thoughts, and spread them abroad upon paper; for they are
observed to cool before they are read."
In an article on laughter by Dr. Birch, Prebendary of Worcester, we have
the following fanciful list of those who indulge in it:--
"The dimplers, the smilers, the laughers, the grimacers, the
horse-laughers.
"The dimple is practised to give a grace to the features, and is
frequently made a bait to entangle a gazing lover; this was called
by the ancients the chin laugh.
"The smile is for the most part confined to the fair sex and their
male retinue. It expresses our satisfaction in a silent sort of
approbation, doth not too much disorder the features, and is
practised by lovers of the most delicate address. This tender
motion of the physignomy the ancients called the Ionic laugh.
"The laugh among us is the common risus of the ancients. The grin
by writers of antiquity is called the Syncrusian, and it was then,
as it is at this time, made use of to display a beautiful set of
teeth.
"The horse-laugh, or the sardonic, is made use of with great
success in all kinds of disputation. The proficients in this kind,
by a well-timed laugh, will baffle the most solid argument. This
upon all occasions supplies the want of reason, is always received
with great applause in coffee-house disputes, and that side the
laugh joins with is generally observed to gain the better of his
antagonist."
In an amusing article upon punning, he gives the following instance of
its beneficial effects:--
Public-domain text, read in full here on John Shaqi.
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