History of European Morals From Augustus to Charlemagne (Vol. 1 of 2)Lecky, William Edward Hartpole
Philosophy
History of European Morals From Augustus to Charlemagne (Vol. 1 of 2)
Lecky, William Edward Hartpole
Ethics; Europe -- Moral conditions
It has been said(103) that “the feelings of beauty, grandeur, and whatever
else is comprehended under the name of taste, do not lead to action, but
terminate in delightful contemplation, which constitutes the essential
distinction between them and the moral sentiments to which in some points
of view they may doubtless be likened.” This position I conceive to be
altogether untenable. Our æsthetical judgment is of the nature of a
preference. It leads us to prefer one class of objects to another, and
whenever other things are equal, becomes a ground for action. In choosing
the persons with whom we live, the neighbourhood we inhabit, the objects
that surround us, we prefer that which is beautiful to that which is the
reverse, and in every case in which a choice between beauty and deformity
is in question, and no counteracting motive intervenes, we choose the
former, and avoid the latter. There are no doubt innumerable events in
life in which this question does not arise, but there are also very many
in which we are not called upon to make a moral judgment. We say a man is
actuated by strong moral principle who chooses according to its dictates
in every case involving a moral judgment that comes naturally before him,
and who in obedience to its impulse pursues special courses of action.
Corresponding propositions may be maintained with perfect truth concerning
our sense of beauty. In proportion to its strength does it guide our
course in ordinary life, and determine our peculiar pursuits. We may
indeed sacrifice our sense of material beauty to considerations of utility
with much more alacrity than our sense of moral beauty; we may consent to
build a shapeless house sooner than to commit a dishonourable action, but
we cannot voluntarily choose that which is simply deformed, rather than
that which is beautiful, without a certain feeling of pain, and a pain of
this kind, according to the school of Hartley, is the precise definition
of conscience. Nor is it at all difficult to conceive men with a sense of
beauty so strong that they would die rather than outrage it.
Public-domain text, read in full here on John Shaqi.
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