History of Indian and Eastern ArchitectureFergusson, James
History
History of Indian and Eastern Architecture
Fergusson, James
Architecture -- India; Architecture, Asian
It may create a feeling of disappointment in some minds when they are
told that there is no stone architecture in India older than two and a
half centuries before the Christian Era; but, on the other hand, it adds
immensely to the clearness of what follows to be able to assert that
India owes the introduction of the use of stone for architectural
purposes, as she does that of Buddhism as a state religion, to the great
Asoka, who reigned from B.C. 272 to 236.
It is not, of course, meant to insinuate that the people of India had no
architecture before that date; on the contrary it can be proved that
they possessed palaces and halls of assembly, perhaps even temples, of
great magnificence and splendour, long anterior to Asoka’s accession;
but, like the buildings of the Burmese at the present day, they were all
in wood. Stone, in those days, seems to have been employed only for the
foundations of buildings, or in engineering works, such as city walls
and gates, or bridges or embankments; all else, as will appear from the
sequel, were framed in carpentry. Much as we may now regret this, as all
these buildings have consequently perished, it is not so clear, as it
may at first appear, that the Indians were wrong in this, inasmuch as,
in all respects, except durability, wood is a better building material
than stone. It is far more easily cut and carved, larger spaces can be
covered with fewer and less cumbrous points of support than is possible
with stone, and colour and gilding are much more easily applied to wood
than to stone. For the same outlay twice the space can be covered, and
more than twice the splendour obtained by the use of the more perishable
material, the one great defect being that it is ephemeral. It fails also
in producing that impression of durability which is so essential to
architectural effect; while, at the same time, the facility with which
it can be carved and adorned tends to produce a barbaric splendour far
less satisfactory than the more sober forms necessitated by the
employment of the less tractable material.
Public-domain text, read in full here on John Shaqi.
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