History of Modern Philosophy: From Nicolas of Cusa to the Present TimeFalckenberg, Richard
Philosophy
History of Modern Philosophy: From Nicolas of Cusa to the Present Time
Falckenberg, Richard
Philosophy, Modern -- History
[Footnote 1: Bacon illustrates the method by the explanation of heat. The
results of experimental observation are to be arranged in three tables. The
table of presence contains many different cases in which heat occurs; the
table of absence, those in which, under circumstances otherwise the same,
it is wanting; the table of degrees or comparison enumerates phenomena
whose increase and decrease accompany similar variations in the degree of
heat. That which remains after the _exclusion_ now to be undertaken (of
that which cannot be the nature or cause of heat), yields as a preliminary
result or commencement of interpretation (as a "first vintage"), the
definition of heat: "a motion, expansive, restrained, and acting in its
strife upon the smaller particles of bodies."]
[Footnote 2: This goal of Baconian inquiry is by no means coincident with
that of exact natural science. Law does not mean to him, as to the physical
scientist of to-day, a mathematically formulated statement of the course of
events, but the nature of the phenomenon, to be expressed in a definition
(E. König, _Entwickelung des Causalproblems bis Kant_, 1883, pp. 154-156).
Bacon combines in a peculiar manner ancient and modern, Platonic and
corpuscular fundamental ideas. Rejecting final causes with the atomists,
yet handing over material and efficient causes (the latter of which sink
with him to the level of mere changing occasional causes) to empirical
physics, he assigns to metaphysics, as the true _science_ of nature, the
search for the "forms" and properties of things. In this he is guided by
the following metaphysical presupposition: Phenomena, however manifold
they may be, are at bottom composed of a few elements, namely, permanent
properties, the so-called "simple natures," which form, as it were, the
alphabet of nature or the colors on her palette, by the combination of
which she produces her varied pictures; _e. g_., the nature of heat and
cold, of a red color, of gravity, and also of age, of death. Now the
question to be investigated becomes, What, then, is heat, redness, etc.?
The ground essence and law of the natures consist in certain forms,
which Bacon conceives in a Platonic way as concepts and substances, but
phenomenal ones, and, at the same time, with Democritus, as the grouping or
motion of minute material particles. Thus the form of heat is a particular
kind of motion, the form of whiteness a determinate arrangement of material
particles. Cf. Natge, _Ueber F. Bacons Formenlehre_, Leipsic, 1891, in
which Heussler's view is developed in more detail. [Cf. further, Fowler's
_Bacon_, English Philosophers Series, 1881, chap. iv.--TR.]]
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