War, which had so long retarded the progress of literature at Rome, at length became the cause of its culture. The Romans were now involved in a contest with the civilized colonies of Magna Græcia. Accordingly, when they garrisoned Thurium, in order to defend it against the Samnites, and when in 482 they obtained complete possession of Magna Græcia, by the capture of Tarentum, which presented the last resistance to their arms, they could not fail to catch a portion of Grecian taste and spirit, or at least to admire the beautiful creations of Grecian fancy. Many of the conquerors remained in Magna Græcia, while, on the other hand, all the inhabitants of its cities, who were most distinguished for literary attainments, fixed their residence at Rome. The first Carthaginian war, which broke out in 489, so far from retarding the literary influence of these strangers, accelerated the steps of improvement. Unlike the former contests of the Romans, which were either with neighbouring states, or with barbarous nations who came to attack them in their own territories, it was not attended with that immediate danger which is utterly inconsistent with literary leisure. In its prosecution, too, the Romans for the first time carried their arms beyond Italy. Literature, indeed, was not one of those novelties in which the western part of Africa was fruitful, but, with the exception of Greece itself, there was no country where it flourished more luxuriantly than in Sicily; and that island, as is well known, was the principal scene of the first great struggle between Rome and Carthage. None of the Grecian colonies shone with such splendour as Syracuse, a city founded by the Dorians of Corinth, in the 19th year of Rome. This capital had attained the summit both of political and literary renown long before the first Carthaginian war. Æschylus passed the concluding years of his life in Sicily, and wrote, it is said, his tragedy of _The Persians_, to gratify the curiosity of Hiero I. King of Syracuse, who was desirous to see a representation of the celebrated war which the Greeks had waged against Xerxes. Epicharmus, retained in the same elegant court, was the first who rejected, on the stage, the ancient mummeries of the satires, and composed dramas on that regular elaborate plan, which was reckoned worthy of imitation by Plautus— “Dicitur ———————————— Plautus ad exemplar Siculi properare Epicharmi(106).”