History of Roman Literature from its Earliest Period to the Augustan Age. Vol. IIDunlop, John Colin
History
History of Roman Literature from its Earliest Period to the Augustan Age. Vol. II
Dunlop, John Colin
Latin literature -- History and criticism
Were I writing the history of Roman arts, it would be necessary to mention
that Varro excelled in his knowledge of all those that are useful, and in
his taste for all those that are elegant. He was the contriver of what may
be considered as the first hour clock that was made in Rome, and which
measured time by a hand entirely moved by mechanism. That he also
possessed a Museum, adorned with exquisite works of sculpture, we learn
from Pliny, who mentions, that it contained an admirable group, by the
statuary Archelaus, formed out of one block of marble, and representing a
lioness, with Cupids sporting around her—some giving her drink from a
horn; some in the attitude of putting socks on her paws, and others in the
act of binding her. The same writer acquaints us, that, in the year 692,
Varro, who was then Curule Ædile, caused a piece of painting, in fresco,
to be brought from Sparta to Rome, in order to adorn the Comitium—the
whole having been cut out entire, and enclosed in cases of wood. The
painting was excellent, and much admired; but what chiefly excited
astonishment, was that it should have been taken from the wall without
injury, and transported safe to Italy(97).
I fear I have too long detained the reader with this account of the life
and writings of Varro; yet it is not unpleasing to dwell on such a
character. He was the contemporary of Marius and Sylla, of Cæsar and
Pompey, of Antony and Octavius, these men of contention and massacre; and
amid the convulsions into which they threw their country, it is not
ungrateful to trace the _Secretum Iter_, which he silently pursued through
a period unparalleled in anarchy and crimes. Uninterrupted, save for a
moment, by strife and ambition, he prosecuted his literary labours till
the extreme term of his prolonged existence. “In eodem enim lectulo,” says
Valerius Maximus, with a spirit and eloquence beyond his usual strain of
composition—“In eodem enim lectulo, et spiritus ejus, et egregiorum operum
cursus extinctus est.”
NIGIDIUS FIGULUS
was a man much resembling Varro, and next to him was accounted the most
learned of the Romans(98). He was the contemporary of Cicero, and one of
his chief advisers and associates in suppressing the conspiracy of
Catiline(99). Shortly afterwards he arrived at the dignity of Prætor, but
having espoused the part of Pompey in the civil wars, he was driven into
banishment on the accession of Cæsar to the supreme power, and died in
709, before Cicero could obtain his recall from exile(100). He was much
addicted to judicial astrology; and ancient writers relate a vast number
of his predictions, particularly that of the empire of the world to
Augustus, which he presaged immediately after the birth of that
prince(101).
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