of the second stoppage, marked by a second slight change of detail, probably caused, as I have already said, by the fall of the vault in 1248. Still, notwithstanding all these smaller differences, the whole work, except the west front, is essentially in one style, and is evidently built from one general design. And though the repair which followed the fall of the vault must have happened after Jocelin was dead, yet I think we may fairly speak of the thirteenth century work at Wells as being, as a whole, the work of that great Prelate. This is a case in which I see no reason to depart from the received tradition and the received manner of speech. Still, when I speak of the work as being the work of Jocelin, I ought perhaps to pause and explain, and in some sort to qualify, my meaning. As regards the design of the building, Jocelin may or may not have been his own architect. In some of our great churches there is no doubt that the Bishop, the Abbot, or some other member of the society, really was the architect. William of Wykeham, long after Jocelin's time, really designed his own nave at Winchester, but we read of some of the works in Saint Alban's Abbey that they were designed by one of the other officers of the monastery, but that it was held right to attribute them to the Abbot, on account of his higher dignity.[36] While Jocelin's nave was building, the vault over the nave of Gloucester Abbey was actually made by the hands of the monks themselves.[37] In other cases there can be no doubt that professional architects and masons were employed, just as they are now.[38] The vault which fell in at Wells was being made, not by the hands of the Canons or of their Vicars, but by those of skilled workmen. One thing is certain, that the designer of the local work at Wells must have been a local man; whether he was actually Jocelin of Wells in his own person I cannot say. Another thing is equally certain, that, before the work was done, the local style was forsaken and another style was adopted in its stead. And that this was the personal act of Jocelin is shown by the new style being used, not only in the west front of the church, but in his own domestic buildings both at Wells and at Wookey. And as to another point, when I call the work Jocelin's work, I do not necessarily mean that he paid out of his own pocket for everything that was done. We must remember that in Jocelin's day we are just at a moment of transition in the history of our own and of other churches. The earlier Bishops, who did what they pleased, no doubt paid for whatever they did. At any rate, we cannot suppose that the Canons of Wells in the eleventh century did, out of their poverty and beggarly estate, contribute much either towards the erection of Gisa's buildings or towards their pulling down by John of Tours. In our own day, as we all know, any works done to the cathedral are done by the Chapter, either out of their own funds, or out of funds collected by them.