History of the FanRhead, G. Woolliscroft (George Woolliscroft)
History
History of the Fan
Rhead, G. Woolliscroft (George Woolliscroft)
Fans
In the hide-fans common on the western border of Africa, the form
approaches that of a circular screen, set on a wooden handle. In these
the ornamentation is either formed of the natural markings of the
hide, or an ‘appliqué’ of leather, painted white, and cut to various
perforated patterns, so as to show a bright vermilion feather stuff
in the perforations; the three colours, the brown or black of the
hide, the white leather, and the vermilion perforations forming a
very effective contrast. Examples from Nigeria appear in the British
Museum collection. A smaller fan of goatskin is in the Horniman Museum.
These hide-fans form part of the fantastic death-dance costumes of Old
Calabar.
[Illustration:
1, 2, 3, 11, 12. SAMOA.
4, 5. BRITISH GUIANA.
6, 7, 8. ECUADOR AND PERU.
9, 10. SOUTH-EASTERN PACIFIC.]
Feathers, although constantly employed as ornaments to the person,
are less commonly used for fans than might generally be supposed,
especially in countries where bird life is abundant.
Amongst the Blackfoot nation of North American Indians, eagles’
feathers were used as a standard of valour at the advent of the white
man, and the capture of eagles was regarded as a sacred ceremony. In
the British Museum is a fan of these eagles’ feathers, with a handle
covered with coarse linen of a printed pattern; to the tip of each
feather is affixed a small pink fluffy feather, thus forming a pink
border to the top of the fan, the border being repeated at the top of
the handle. This was procured from ‘Little Ears,’ a Blood Indian. A
similar fan, minus the handle, appears in the same collection; in this
instance the tips of the feathers are ornamented with little tails made
of hair, varied at the lower ends by white fur. In consequence of a
dream that appeared to a Blood chief named Bears’ Lodge, a dance was
instituted in which these fans were waved, and whistles made of eagles’
bones were carried and used. (Illustrated opposite.)
Ceremonial fans were employed by the Indians of the Great West; we have
an account of the visit of a Taensas chief on the banks of the Lower
Mississippi to Le Sieur de La Salle in 1682: ‘The Chief condescended to
visit La Salle at his camp; a favour which he would by no means have
granted, had the visitors been Indians. A master of ceremonies and six
attendants preceded him, to clear the path and prepare the place of
meeting. When all was ready, he was seen advancing clothed in a white
robe, and preceded by two men bearing _white fans_, while a third
displayed a disc of burnished copper, doubtless to represent the
Sun, his ancestor, or, as others will have it, his elder brother.’[62]
It is safe to assume that these fans were of feathers, and the
incident is an evidence that the use of the fan in high ceremonial was
universal, and common to both East and West.
[Illustration:
Two small Palm Fans. West Africa.
Fly Whisks, Tahiti.
Cockade Fan, with inscription.
Fan of Eagles Feathers, North American Indian.]
Public-domain text, read in full here on John Shaqi.
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