As an illustration of the scientific superiority that the Moors still
maintained over the Spaniards, the fact may be mentioned that Alphonso
the Sage, king of Castile, availed himself, in the arrangement of his
astronomical tables (still known as the _Alphonsine Tables_), of the
assistance of some contemporary Moslem _savans_.
Grenada began by this time to replace Cordova. Architecture, above
all, made great advances. It was during the reign of Mohammed II. that
the famous palace of the Alhambra was commenced, a part of which still
remains to astonish travellers, whom its name alone suffices to attract
to Grenada.
To prove to what a height of perfection the Moors had succeeded in
carrying the art, then so little known to Europeans, of uniting the
magnificent and the luxurious, a few details may perhaps be pardoned
concerning this {138} singular edifice, and as an illustration, also,
of the particular manners and customs of the Moors.
The Alhambra, as has been said, was at first only a vast fortress,
standing upon one of the two hills enclosed within the city of Grenada.
This hill, though environed on every side by the waters either of the
Darra or the Xenil, was defended, in addition, by a double enclosure of
walls. It was on the summit of this elevation, which overlooked the
whole city, and from which one might behold the most beautiful prospect
in the world, in the midst of an esplanade covered with trees and
fountains, that Mohammed selected the site of his palace.
Nothing with which we are familiar in architecture can give us a
correct idea of that of the Moors. They piled up buildings without
order, symmetry, or any attention to the external appearance they would
present. All their cares were bestowed upon the interior of their
structures. There they exhausted all the resources of taste and
magnificence, to combine in their apartments the requisites for
luxurious indulgence with the charms of nature in her most enchanting
forms. There, in saloons adorned with the most beautiful marble, and
paved with a {139} brilliant imitation of porcelain, couches, covered
with stuffs of gold or silver, were arranged near _jets d'eau_, whose
waters glanced upward towards the vaulted roof, and spread a delicious
coolness through an atmosphere embalmed by the delicate odours arising
from exquisite vases of precious perfumes, mingled with the fragrant
breath of the myrtle, jasmine, orange, and other sweet-scented flowers
that adorned the apartments.
Public-domain text, read in full here on John Shaqi.
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