Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer; Homer -- Homes and haunts -- Greece
In archaeological discoveries we find the most convincing proofs that
the _Iliad_, on the whole, is the production of a single age, not the
patchwork of several changeful centuries. This may seem an audacious
statement, as archaeology has been interpreted of late in such a manner
as to demand precisely the opposite verdict. But if we can show, as we
think we can, that many recent interpretations of the archaeological
evidence are not valid, because they are not consistent, our contention,
though unexpected, will be possible. It is that the combined testimony
of archaeology and of the Epic proves the _Iliad_ to represent, as
regards customs, weapons, and armour, a definite moment of evolution; a
period between the age recorded in the art of the Mycenaean shaft graves
and the age of early iron swords and the "Dipylon" period.
Before the discoveries of the material remains of the "Mycenzean"
times, the evidence of archaeology was seldom appropriately invoked
in discussions of the Homeric question. But in the thirty years since
Schliemann explored the buried relics of the Mycenzean Acropolis,
his "Grave of Agamemnon," a series of excavations has laid bare the
interments, the works of art, and the weapons and ornaments of years
long prior to the revolution commonly associated with the "Dorian
Invasion" of about 1100-1000 B.C. The objects of all sorts which have
been found in many sites of Greece and the isles, especially of Cyprus
and Crete, in some respects tally closely with Homeric descriptions,
in others vary from them widely. Nothing can be less surprising, if the
heroes whose legendary feats inspired the poet lived centuries before
his time, as Charlemagne and his Paladins lived some three centuries
before the composition of the earliest extant _Chansons de Geste_ on
their adventures. There was, in such a case, time for much change in the
details of life, art, weapons and implements. Taking the relics in the
graves of the Mycenaean Acropolis as a starting-point, some things would
endure into the age of the poet, some would be modified, some would
disappear.
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