Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)Howitt, William
History
Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
"But it does not appear that Garrick and his fellow-worshipers troubled
themselves at all about the descendants of the poet's sister; the
object, in fact, seemed at the moment to be rather to worship Garrick
than Shakspeare; how, then, could any ray of sympathy diverge from two
'demi-gods' to the humble relatives of one of them? And why should it? I
hear honest utilitarians asking, why? What should lead the ragged
descendants of poets and philosophers to forsake self-dependence, and
look to the admirers of their ancestors for benefit? What a shocking
thing, if they should, especially in a nation which ennobles whole lines
forever, and grants immense estates in perpetuity for the exploit of
some man who has won a battle that had better never have been fought!
What! shall such men, and shall troops of lawyers, who have truckled to
the government of the day, and become the tools of despotism in a
country dreaming that it is free--shall men who have merely piled up
heaps of coin, and purchased large tracts of earth, by plodding in the
city dens of gain, or dodging on the Stock Exchange--shall such men be
ennobled, and their line forever, and shall men who have left a legacy
of immortal mind to their country leave also to their families an
exclusive poverty and neglect? Will our very philosophical utilitarian
tell us why this should be?
"It might, also, be whispered, that it would not be much more irrational
to extend some of that enthusiasm and money, which are now wasted on
empty rooms and spurious musty relics, to at least trying to benefit and
raise in the scale of society beings who have the national honor to be
relics and mementos of the person worshiped, as well as to old chairs,
and whitewashed butchers' shops. Does it never occur to the votaries of
Shakspeare, that these are _the only sentient, conscious, and rational
things connected with his memory_ which can feel a living sense of the
honor conferred on him, and possess a grateful knowledge that the mighty
poet of their house has not sung for them in vain, and that they only,
in a world overshadowed with his glory, are not unsoothed by its
visitings?"[3]
Public-domain text, read in full here on John Shaqi.
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