Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)Howitt, William
History
Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
Hear what Robert Southey says: "The last descendants of Milton died in
poverty. The descendants of Shakspeare[5] are living in poverty, and in
the lowest condition of life. Is this just to these individuals? Is it
grateful to those who are the pride and boast of their country? Is it
honorable or becoming to us as a nation, holding--the better part of us
assuredly, and the majority affecting to hold--the names of Shakspeare
and Milton in veneration? To have placed the descendants of Shakspeare
and Milton in respectability and comfort in that sphere of life where,
with a full provision for our natural wants and social enjoyments, free
scope is given to the growth of our intellectual and immortal part,
simple justice was all that was required--only that they should have
possessed the perpetual copyright of their ancestors' works--only that
they should not have been deprived of their proper inheritance."[6]
The time is evidently not yet come for setting this great matter right;
for doing this great act of justice toward the teachers of the world and
glorifiers of our national name; for executing this due redress. We have
yet much to learn from those divine minds, whom, in Southey's words, we
profess to venerate. But still the public mind is not destitute of its
glimmerings of the truth, and its responsibilities. Since I wrote the
pages quoted, numerous individuals have written to inquire if nothing
can be done to remove the opprobrium of our treatment to the Shakspeare
family. Many visitors have desired to see the boy thus pointed out, and
have made him presents, but he still remains unprovided for. A
clergyman, about two years ago, wrote to me from the west of England,
expressing the interest he felt in this youth, whom he had seen at
Stratford, and his anxious desire to have a subscription raised to
educate him, and put him into some honorable way of life. He begged me
to make a move, in which he would zealously co-operate, to interest a
sufficient number of literary and influential individuals to agitate the
question, and commence the subscription. I made the attempt, but in
vain. Some parties gave professions which ended in nothing, others which
began in nothing; some doubted the chance of success, and some
successfully chanced to doubt. One of the first persons whom I was
naturally induced to write to for advice and co-operation was Mr.
Charles Knight. Mr. Charles Knight had recently published a voluminous
edition of Shakspeare's works, with elaborate criticisms and life; his
apparent enthusiasm about Shakspeare suggested him instantly as a most
likely person to unite in a plan for vindicating the honor of the nation
toward the living representatives of the poet. I begged him to say
whether he would do so, and whether he would be good enough to point out
any means or parties by which this might be prosecuted. This enthusiast
of Shakspearian honors did not even observe the ordinary courtesy of a
reply.
Public-domain text, read in full here on John Shaqi.
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