By this time he was mounting the steps of his boarding-house, and he
flung the butt of his cigar violently at a gaunt spare cat that just
ventured its pinched countenance from under the verandah. As he turned
the latch-key, he was indulging in a strain of "In the gloaming, oh! my
darling" as though he were the happiest of living creatures.
For some moments after Guy left his uncle's house Honor sat motionless
reading the coals. She was troubled: Mr. Rayne expected her to be able
to entice his nephew away from these never ending parties of pleasure,
and she could not. If she did not care for him quite so much, her task
would indeed be easier, indifference spurs on so to a task that is mere
duty. How miserable she was, here, all alone, on his account, while he,
where was he spending these moments fraught with so much anxiety for
her?
At this juncture Mr. Rayne bustled in and, somewhat surprised to find
his little girl alone, he took the seat Honor had placed for Guy, and
settled himself for a comfortable fireside chat.
CHAPTER VII.
"The lamps shone o'er fair women and brave men:
A thousand hearts beat happily: and when
Music arose with its voluptuous swell,
Soft eyes looked love to eyes which spake again,
And all went merry as a marriage-bell."
--_Byron_.
Let us now contrast the two pictures which present themselves to the
imagination on this stormy winter evening. One is quiet, usual,
familiar; the other is noisy, glittering, but also familiar. One is the
drawing-room in Mr. Rayne's comfortable house, with the gaslight falling
gently over the silent room--it is not turned very high. Mr. Rayne is
dozing in an arm-chair. His hands are folded across his breast, and his
limbs are extended at full length--he is dreaming. Honor is seated at
the piano, stealing her slender fingers over the ivory keys. It is a
low, rippling strain--_Valse des Soupirs_--such as fairies might bring
from their magic touch. 'Tis the music of her own heart--the sound of
her sighs, and she plays on softly, heedlessly. She is lost in the
ecstacy of her own reverie.
Public-domain text, read in full here on John Shaqi.
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