“‘You are an actress in good faith,’ said I, ‘for you gave me a look
just now which would make the fame of an actress. Still, lovely as you
are, you have loved; _ergo_, you forget.’
“‘I!’ she exclaimed, evading my question, ‘I am not a woman. I am a nun,
and seventy-two years old!’
“‘Then, how can you so positively assert that you feel more keenly than
I? Sorrow has but one form for women. The only misfortunes they regard
are disappointments of the heart.’
“She looked at me sweetly, and, like all women when stuck between the
issues of a dilemma, or held in the clutches of truth, she persisted,
nevertheless, in her wilfulness.
“‘I am a nun,’ she said, ‘and you talk to me of the world where I shall
never again set foot.’
“‘Not even in thought?’ said I.
“‘Is the world so much to be desired?’ she replied. ‘Oh! when my mind
wanders, it goes higher. The angel of perfection, the beautiful angel
Gabriel, often sings in my heart. If I were rich, I should work, all the
same, to keep me from soaring too often on the many-tinted wings of the
angel, and wandering in the world of fancy. There are meditations which
are the ruin of us women! I owe much peace of mind to my flowers, though
sometimes they fail to occupy me. On some days I find my soul invaded
by a purposeless expectancy; I cannot banish some idea which takes
possession of me, which seems to make my fingers clumsy. I feel that
some great event is impending, that my life is about to change; I listen
vaguely, I stare into the darkness, I have no liking for my work, and
after a thousand fatigues I find life once more--everyday life. Is this
a warning from heaven? I ask myself----’
“After three months of this struggle between two diplomates, concealed
under the semblance of youthful melancholy, and a woman whose disgust of
life made her invulnerable, I told the Count that it was impossible
to drag this tortoise out of her shell; it must be broken. The evening
before, in our last quite friendly discussion, the Countess had
exclaimed:
“‘Lucretia’s dagger wrote in letters of blood the watchword of woman’s
charter: _Liberty!_’
“From that moment the Count left me free to act.
“‘I have been paid a hundred francs for the flowers and caps I made this
week!’ Honorine exclaimed gleefully one Saturday evening when I went
to visit her in the little sitting-room on the ground floor, which the
unavowed proprietor had had regilt.
“It was ten o’clock. The twilight of July and a glorious moon lent
us their misty light. Gusts of mingled perfumes soothed the soul; the
Countess was clinking in her hand the five gold pieces given to her by
a supposititious dealer in fashionable frippery, another of Octave’s
accomplices found for him by a judge, M. Popinot.
Public-domain text, read in full here on John Shaqi.
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