Hot corn: Life Scenes in New York IllustratedRobinson, Solon
General
Hot corn: Life Scenes in New York Illustrated
Robinson, Solon
New York (N.Y.) -- Social life and customs -- 19th century -- Fiction; Temperance -- Fiction
but starting like a sentinel upon a savage frontier post, with alarm at
having slept; shivering with night air and fear, and, finally, compelled
to go home, trembling like a culprit, to hear the harsh words of a
mother--yes, a mother--but oh! what a mother--cursing her for not
performing an impossibility, because exhausted nature slept--because her
child had not made a profit which would have enabled her more freely to
indulge in the soul and body-destroying vice of drunkenness, to which
she had fallen from an estate, when "my carriage" was one of the
"household words" which used to greet the young ears of that poor little
death-stricken, neglected, street sufferer.
[B] On many of the Rice and Sea Island plantations in South Carolina and
Georgia, in fact upon almost all the coast lands of these States, the
malaria is so deadly in its effects upon the sleeper, that every effort
is made to keep awake by those who are accidentally exposed for a single
night to its influence. Many of the most beautiful residences in the
vicinity of Charleston, are uninhabited by white persons in summer. The
negroes are not at all, or only slightly affected. The overseers often
have a little cabin in the most convenient pine woods, to which they
retire before nightfall.
No doubt, though to a less deadly degree, the malaria arises from the
filth in our dirty streets, killing its thousands of little children
every year.
It was past midnight when she awoke, and found herself, with a desperate
effort, just able to reach the bottom of the rickety stairs which led to
her _home_. We shall not go up now. In a little while, reader, you shall
see where live the city poor.
You shall go with me at midnight to the _Home of little Katy_. You shall
see where she lies upon her straw pallet in a miserable garret; yet she
was born in as rich a chamber as you or you, who tread upon soft Turkey
carpets when you go to your downy couches.
Wait a little.
Tired--worn with the daily toil--for such is the work of an editor who
caters for the appetites of his morning readers--I was not present the
next night to note the absence of that cry from its accustomed spot; but
the next and next, and still on, I listened in vain--that voice was not
there. True, the same hot-corn cry came floating upon the evening breeze
across the park, or wormed its way from some cracked-fiddle voice down
the street, up and around the corner, or out of some dark alley, with a
broken English accent, that sounded almost as much like "lager bier" as
it did like the commodity the immigrant, struggling to eke out his
precarious existence, wished to sell. All over this great
poverty-burdened, and wicked waste, extravagant city, at this season,
that cry goes up, nightly proclaiming one of the habits of this
late-supper eating people.
Yes, I missed that cry. "Hot Corn" was no longer like the music of a
stringed instrument to a weary man, for the treble-string was broken,
and, for me the harmony spoiled.
Public-domain text, read in full here on John Shaqi.
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