The glory of the dining-room is its large sideboard. This, where there is a second sideboard, may be either in the same style or in complete contrast to it. Here the larger pieces of earthenware and porcelain should be displayed to advantage. These are such things as salad bowls and outside pie-dishes, which may always remain in the dining-room, and the whole of the dessert-service, with the ornaments and table decorations. The glasses and decanters should always be elegant, and although in my opinion the Venetian glass is by far the most beautiful kind, still our own crystal and engraved glass is often exquisitely lovely, and the sunshine playing through the prismatic decanter knobs, and other cut glass ornaments, gives an unrivalled lustre to the summer dinner-table. Breakages under careful, delicate handling would be less frequent than they are now, so that the expense of procuring glass and porcelain the best of their kind would not be felt to be the extravagance it is now. It will be said that for all this display of glass and china an enormous sideboard will be required, at as enormous a cost. And the first objection I concede, without, however, admitting it to be a fault. Why should not the sideboard be, if necessary, as large as the side of the room? But the cost may be less than that of an ordinary dinner-waggon. It might be constructed as a series of shelves, ranged as high as can be conveniently reached, broken by cellarettes and other cupboards or cabinets, hung with worked curtains, the shelves merely backed by paper made like embossed leather. There is an infinite variety of styles and forms in which the sideboard may be made; from the gorgeous mass of carved oak and velvet, set with golden shields, and cups, and services of gold plate, such as I have admired on the dining-room walls of a palace built on the ruins of an abbey, down to the stained deal dresser-shaped sideboard of a house of fifty pounds a year, where it would only be decked with graceful, yet unpretending, china and terra-cotta, where its curtains would be of brown holland worked in crewels, and its intrinsic ornaments the burnished brass locks, hinges, and handles. Yet as fine taste might be visible in one as in the other. The table-cloth, table-napkins, and spoons and forks should be laid in drawers, as such seems their befitting place; and salt-cellars, and other diminutive articles containing condiments, may be put away behind small curtains, or veils, of decorative needlework, to shelter them from the dust, as well as to give an opportunity for the display of rich and elegant furniture embroidery, adapted in style to the carvings, plaques, inlaid work, or other adornments of the sideboard. The piles of plates--as many of them must almost of necessity be in piles--will be also concealed and protected by curtains, or behind doors turning on pivots, which, where they are available, are far better than hinges.