How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth CenturiesO'Reilly, Elizabeth Boyle
History
How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth Centuries
O'Reilly, Elizabeth Boyle
Architecture, Gothic; Cathedrals -- France
Close in date to Morienval are the aisle vaults of St. Étienne's nave at
Beauvais, the old city that lies on a tributary of the Oise. The
intersecting ribs are not quite so stout as those of Morienval, but
their ends still plunge into the massive, and they, too, are
round-arched; their date is approximately 1120. That they planned at the
same time to throw similar diagonals over the principal span is proved
by the existent lower structures, but the actual vaults there were not
erected till after a fire in 1180. The transverse arches of the aisles
are noticeably stilted. This device was to lead to a solution of the
problem how to raise the arches framing each vault section to the level
of the diagonals' crown, and thus avoid the excessive doming which is
found in the earlier Gothic vaults.
In the XII-century north façade of the transept is an oculus big enough
to be called the first rose window; a wheel of fortune it is called,
because the images around its circle are an allegory of the fleet
passing of man's greatness. This is one of the very early approaches to
pure sculpture. The nave's two westernmost bays and its façade are of
the XI century. Had the original choir of St. Étienne survived, it is
thought that its ambulatory would be one of the missing steps connecting
the cramped corridor of Morienval with the double procession path of St.
Denis. The present choir, a Flamboyant Gothic structure, is famous for
its gloriously colored windows, some of which were made by that notable
family of local artists who designed the big rose windows of Beauvais
Cathedral, Engrand Le Prince and his sons Jean and Nicolas, and his
son-in-law Nicolas Le Pot. The latter carved the cathedral's wooden
doors, for versatility was characteristic of the artisan-artists of
those days.
Ten miles from Beauvais, a crawling train sets one down in a field
whence a two-mile walk leads to the sleepy bourg of St. Germer-en-Flay.
The abbey was founded in 655 by Germer, a noble of Dagobert's court,
nephew of St. Ouen the great bishop of Normandy's capital. To St.
Germer's abbey came William the Conqueror to beg the French king to join
him in his proposed descent on England. But Philip I gathered his
counselors, and it was decided not to support the Norman duke, since, if
he gained England, he would be richer than his own suzerain, the king of
France, and if he failed, France would have antagonized the English.
Public-domain text, read in full here on John Shaqi.
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