How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.Malins, Geoffrey H.
History
How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.
Malins, Geoffrey H.
Malins, Geoffrey H.; Motion pictures; World War, 1914-1918 -- Personal narratives, British
Fixing up my machine at a new and advantageous point of view, I waited.
The service began. I could hear the strains of the old, old carols and
Christmas hymns. Surely one could not have heard them under stranger
conditions, for as the sound of that beautiful carol, "Peace on Earth,
Good Will to Men!" swelled from the throats of several hundreds of our
troops, the heavy guns thundered out round after round with increasing
intensity. Strange that at such a moment so terrific a bombardment
should have taken place. It seems as if some strange telepathic
influence was at work, commanding all the guns in the vicinity to open
fire with redoubled fury. And high in the air, our steel "birds" were
hovering over the enemy lines, directing the fire, and flecked all round
them, like flakes of snow, was the smoke from the shrapnel shells fired
on them by the Germans.
"Peace on earth, good will to men," came the strains of music from the
little church. Crash! went the guns again and again, throwing their
shrieking mass of metal far overhead. I fell into a deep reverie, and
my thoughts naturally strayed to those at home.
Returning to my room. I donned my thick woollen coat, as I intended to
rush off to G.H.Q. to see Tong, who had got a bad attack of dysentery,
and try and cheer him up. Getting into my car, I told the chauffeur to
drive like the wind. I had fifty kilometres to go. Away we rushed
through the night, and as we went through villages where our Tommies
were billeted, the strains of the old home songs--Irish, Scotch and
English--were wafted to my ears. Except for the incessant shelling, the
flash of guns, and the distant glare from the star-shells, it was almost
impossible to believe we were in the terrible throes of war. I arrived
at G.H.Q. about 8.30 p.m.
Poor Tong was very queer and feeling dejected. Not being able to speak
French, he could not let the people of the hotel know what he wanted. I
soon made him as comfortable as possible, and sat beside his bed
chatting about this, the strangest Christmas Day I had ever experienced.
After remaining with him for about an hour and a half, I again started
for the front line, where I arrived about 1 a.m., dog-tired, and at once
turned in.
So ended my second Christmas Day at the Front, and, as I dozed off to
sleep, I found myself wondering whether the next Christmas would find me
still in France. Should I be listening to carols and guns at the Front,
or would the message of the bells peal from a church in an adjacent
street at home, and announce the coming of another Christmas to me and
mine?
CHAPTER III
I GET INTO A WARM CORNER
Boxing Day--But No Pantomime--Life in the Trenches--A Sniper
at Work--Sinking a Mine Shaft--The Cheery Influence of an
Irish Padre--A Cemetery Behind the Lines--Pathetic
Inscriptions and Mementoes on Dead Heroes' Graves--I Get
Into a Pretty Warm Corner--And Have Some Difficulty in
Getting Out Again--But All's Well that Ends Well.
Public-domain text, read in full here on John Shaqi.
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