How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.Malins, Geoffrey H.
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How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.
Malins, Geoffrey H.
Malins, Geoffrey H.; Motion pictures; World War, 1914-1918 -- Personal narratives, British
All this time it was raining hard. I worked my way along the
never-ending traverses. Coming upon a mount of sandbags, I enquired of
an officer present the nature and cause of its formation. He bade me
follow him. At one corner a narrow, downward path came into view.
Trudging after him, I entered this strange shelter. Inside it was quite
dark, but in a few seconds, when my eyes had got used to the conditions,
I observed a hole in the centre of the floor about five feet square.
Peering over the edge, I saw that the shaft was about _twenty-five feet
deep_, and that there was a light at the bottom. It then dawned upon me
what it really was. It was a mine-shaft. At the bottom, men worked at
their deadly occupation, burrowing at right angles under our own
trenches (under "No Man's Land") and under the German lines. They laid
their mines, and at the appointed time exploded them, thus causing a
great amount of damage to the enemy's parapets and trenches, and killing
large numbers of the occupants.
Retracing my steps, I fixed the camera up and filmed the men entering
the mines and others bringing up the excavated earth in sandbags and
placing them on the outside of the barricade. Then I paused to film the
men at work upon a trench road. Thinking I could obtain a better view
from a point in the distance, I started off for it, bent nearly double,
when a warning shout from an officer bade me be careful. I reached the
point. Although about fifty yards behind the firing trench, I was under
the impression that I was still sheltered by the parapet. Evidently I
had raised my head too high while fixing up the tripod, for with a
murderous whistle two bullets "zipped" by overhead. I must be more
careful if I wanted to get away with a whole skin; so bending low, I
filmed the scene, and then returned.
While proceeding along the line, I filmed the regimental padre of the
Irish Guards wading through the mud and exchanging a cheery word with
every man he passed. What a figure he was! Tall and upright, with a long
dark beard, and a voice that seemed kind and cheery enough to influence
even the dead. He inspired confidence wherever he went. He stayed awhile
to talk to several men who were sitting in their dug-outs pumping the
water out before they could enter. His words seemed to make the men work
with redoubled vigour. Then he passed on.
Public-domain text, read in full here on John Shaqi.
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