|When I come to the task of describing how the poor amuse themselves, there comes back to me the memory of a certain 'exam.' I submitted myself to in the happy long ago. I am not quite sure now whether the result was to be a clerkship in Somerset House, or a certificate of proficiency which I could frame, and glaze, and hang up in my bedroom; all I remember is, that I was taken up to London with half a dozen of my fellow-collegians, and deposited in a large room, at a desk, and that in front of me was placed a paper with a string of printed questions on it, which I was requested to answer in writing. The questions were not particularly flabbergasting then, though I doubt whether I could answer a single one of them correctly now; but that which carried terror to my fluttering heart at once was the special note which enjoined me to write my answers briefly and concisely. There are certain questions which will not be answered in half a dozen words. Several such there were on my examination-paper, and such a question, after a lapse of years, again stands and defies me to mortal combat. 'How do the poor amuse themselves?' The name of their amusements is legion, and to catalogue them briefly is beyond my powers. The principal amusement of the people who have no money is, I take it, loafing at street corners and gossiping with their neighbours, and the form of enjoyment by far the most prevalent is getting drunk. The public-house, after centuries of philanthropic tall-talk and hundreds of miles of newspaper and magazine writing, tracts and essays, remains still the Elysian field for the tired toiler. The well-meaning efforts of the societies which have endeavoured to attract the poor to hear countesses play the fiddle, and baronets sing comic songs in temperance halls, have not been crowned with anything like success, for the simple reason that there is an air of charity and goody-goody about the scheme which the poor always regard with suspicion. They want their amusement as a right, not as a favour, and they decline to be patronized. The public-house, then, is still the centre of attraction for the masses during their leisure--the public-house and its giant offspring, the music-hall. The old Free and Easy, held every Monday or every Saturday, as the case might be, in the bar-parlour or the big room upstairs, is dying the death--the halls have killed it. There are a few still in existence, but the attendance is meagre, and the entertainment is only kept up by ambitious amateurs of the type who sit back in a chair and close their eyes to sing a sentimental ballad, and the young gentlemen who are anxious to exchange the workshop or the counter for the footlights, and try their hand first at the comic songs of Messrs. Arthur Roberts and McDermott before the dozen or so of the bar-parlour frequenters of the Blue Bear who make up the weekly audiences of the 'Free and Easy.'