How to analyze people on sight through the science of human analysis : $b the five human typesBenedict, Elsie Lincoln
Science
How to analyze people on sight through the science of human analysis : $b the five human types
Benedict, Elsie Lincoln
Characters and characteristics
So it has followed inevitably that the manual work of the world is done
largely by Musculars. Their hands are also so much more powerful that
they do not tire easily.
The Hand of the Creative Artist
¶ "The artist's hand" and "the artistic hand" are phrases long used but
misused. Delicate tapering fingers were supposed in ancient times to
denote artistic ability. The frail curving hand was also supposed to be
a sign of artistic talent.
From the stage of old down to the movies of today the typical artist is
pictured with a slight, slender hand.
This tapering-fingered hand denotes a keen sense of artistic values; a
love of the esthetic, refined and beautiful; and real artistic
_appreciation_, but _not_ the ability to create.
The "Hand Arts"
¶ Before we explain this, kindly understand that we are speaking only of
those arts which require hand work--and not of such arts as singing,
dancing, or musical composition which could more properly be called
artistic activities. We are referring only to those arts which depend
for their creation upon the human hand--such as painting, architecture,
craftsmanship, cartooning, sculpture, violin, piano, etc.
_All these are created by square fingered people._
We are too much inclined to think of the products of these arts as being
created out of sheer artistic sense, artistic taste or artistic insight.
But a moment's reflection will show that every tangible artistic
creation is the result of unusual hand work combined with gifted head
work. Without a sure, strong, well-knit hand the ideas of the greatest
artists could never have materialized. The lack of such a hand explains
why the esthetic, the artistic-minded and the connoisseur do not
_create_ the beautiful things they _appreciate_.
Head and Hand Partners
¶ The hand must execute what the brain plans and it must be so perfect a
mechanism for this that it responds to the most elusive inspirations of
the artist. It must be a fifty per cent partner, else its owner will
never produce real art.
No type has this strong, sure, co-ordinated hand-machine to any such
degree as the Muscular.
The finger ends, which are of the utmost significance in the creation of
artistic things, must be fitted with well developed muscles of extreme
efficiency or the execution will fall short of the ideal pictured in the
artist's mind.
The pure Muscular type seldom makes an artist, for, after all, inspired
brain work is the other important element in the creation of art, and
this is the forte of the fifth type. A combination of the fifth type
with the Muscular makes most hand artists. A combination of the Muscular
and Thoracic makes most singers. Every hand artist will be found to have
spatulate-fingered hands--in short, muscular hands.
Public-domain text, read in full here on John Shaqi.
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