The _fighting, destructive, motive feelings_ are indicated by _straight lines_ of the lids. _Affection, benevolence, sympathy, and love_, manifest in curving, drooping, full eye-lids, the absence of straight lines being marked. _Amativeness and Alimentiveness_ show in very thick eye-lids, giving a sensual gross expression to the eyes. _Destructiveness_ manifests in a tightening of the upper lid, and a bearing down upon the eyeball. _Approbativeness_ gives a peculiar "coquettish" relaxation of the upper eye-lid, which is suggestive of the desire to wink in a meaning manner. _Humor_ gives a peculiar contraction to the eye-lids, and at the same time producing the little lines radiating from each outer corner of the eye-lids--the "laughing wrinkles." _Ideality, Optimism, and Mysticism_ impart an open expression to the eyes. _Cautiousness_, when large, also gives to the eyes an open, almost startled, surprised expression. _Large, protruding eyes_ are held to be indicative of wordiness, talkativeness, and lack of careful thought--the desire to talk for the pleasure of hearing oneself talk. In connection with the subject of the outer form manifesting in the eyes, we would call your attention to the quotation from Prof. O. S. Fowler, appearing in Lesson XIII, in which he speaks of certain of the Perceptive Qualities which indicate in outer form in the region of the eye, as follows: "The shape of the eyebrows reveals the size, absolute and relative, of each, thus: When _all_ are large, the eyebrow is long and arching; when all are deficient, it is long and straight; when some are large and others small, it arches over the large ones, but passes horizontally over those which are small. This rule is infallible." In connection therewith, we suggest that the student re-read carefully Chapter XIII, which deals with the Perceptive Qualities which manifest outer form in the region of the eye. EARS Many physiognomists pass lightly over the subject of the ears as an index of character, while others seem to specialize on this feature. The _round ear_ is held to indicate the Vital Temperament. The _oblong ear_, the Motive Temperament; and the _pear-shaped ear_ the Mental Temperament. _Quality_ is held to be indicated by the relative delicateness in the moulding of the ear, a coarse, misshapen ear being held to indicate an uncultivated nature; while a delicately moulded, shapely ear is held to indicate culture and refinement. A _long, narrow ear_ is held to indicate an ambitious, striving nature. An ear _pointed at the tip_ (upper part) is held to be indicative of selfishness and general "foxiness." NOSES All physiognomists agree upon the importance of the nose as an index of character. The majority of people recognize the sign of a large, strong nose, on the one hand, and a small, weak nose on the other. [Illustration: FIG. 21 A, ROMAN; B, GRECIAN; C, CHERUBIC]