bottom of the panniers on her back, as it would be for any reactionary
Chauteaubriand to assert that God made the world, at the beginning,
precisely as we see it with all its completeness and antiquity, since
he believed an infancy of the world would be a world without
romance!--denying creation in periods, and asserting it in
instantaneous processes, by which the fossils were even created just
as we see them. Such a conception is not to exalt the Divine Power;
or, if it appears to do so, it yet effectively annihilates a belief in
the Divine Wisdom that could create pretty toys and useless fossils--a
creation of mummies and skeletons that were never from the very
beginning intended to be anything but skeletons, without any relation
to living beings.
Miller accordingly makes it perfectly plain in what spirit he
approaches the sacred record. The Bible, he says repeatedly, is neither
a scientific text-book nor even a primer. Why, he asks, should it be
regarded as necessary to promulgate the truths of geology when those of
astronomy have been withheld? 'Man has everywhere believed in a book
which should be inspired and should teach him what God is and what God
demands of him, and this expectation is fully met in the Bible. But
nowhere has man looked for the divine revelation of scientific truth,
for it is in accordance with the economy of Providence, that Providence
which is exhibited in gradual developments, that no such expectation
has been or need be realised, the _Principia_ of Newton and the
discoveries of James Watt being both the result of the natural and
unaided faculties of man.' Nay, more; there never could have been such
a revelation given, for never yet has a single scientific truth been
revealed. But, on the other hand, when he contrasts this clear
perception of the demarcation of religion and science in the Bible, and
the all too copious neglect of it in the other sacred books of the
world, he is constrained to regard this very ability of distinction
between two classes of truth as a strong argument for its inspiration.
Public-domain text, read in full here on John Shaqi.
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