“What!” exclaimed Eusebe, with vehemence; “I encounter in my walk a
wretch who slanders in the most infamous style a woman whom I love
and whom I had quitted but a moment previous. I could pulverize
this fellow with my fists, but refrain, because his shameful
conduct awakens only contempt. I am content to tell him that he
lies. And now I am forced to fight with this infamous scoundrel,
and, as you say, to put myself at his disposal, and accept the
weapons with which he is familiar, but which I have never used!
Really, this cannot be so! it is barbarous!”
“But it is so, my dear fellow. I repeat, the laws of honor are
inflexible.”
“The laws of honor! What honor? It is not I who have broken these
laws, if any such exist: he is the guilty party.”
“Listen, Eusebe,” rejoined Clamens, gravely. “You have defended
the reputation of Adéonne; and in so doing you have acted nobly,
not only because she is your mistress, but because she is a
noble creature who loves you with all her heart. Yes, you have
acted nobly. I also am convinced that La Soulaye has lied like a
pickpocket. But in telling him so you did him an injury for which
he has a right to demand reparation in the field. If you refuse to
fight, you will be regarded as a coward, and the world will believe
that he has truth and right on his side. I have made myself your
second in this affair. I do not regret the step thus taken, and, if
you refuse to fight, I will take your place.”
“Why so?”
“The laws of honor force me to do so.”
“I will fight,” said Eusebe, resolutely; “but may the devil fly
away with me if I can comprehend what you call the laws of honor!”
CHAPTER XXXIV.
After a long discussion, during which Clamens talked a great deal
and Eusebe comprehended very little, the necessity for securing
another second for the duel occurred to them, and the provincial
started to hunt up his old friend Paul Buck, the painter. Paul
had broken up his modest establishment some time previous, and it
was not without extreme difficulty and much wearisome search that
Eusebe found him, located in a wretched garret in the Rue Neuve
Coquenard.
Alas! Paul Buck was sadly changed. He was no longer the joyous
artist with a contented heart and merry countenance. His woebegone
features, neglected hair, ragged garments, and ventilated boots
made him a sorry shadow of his former self.
“Ah!” he exclaimed, upon seeing Eusebe, “I was thinking of you this
morning. I said to myself, ‘If I knew the address of the barbarian,
I would go to him and borrow ten francs?’”
“Here are twenty,” said Eusebe. “Are you ill?”
“Not at all. You find me much changed, do you not?”
“Yes.”
“It is from grief.”
“Have you been unfortunate?”
“Yes.”
“The cause? You have talent, love art, and are persevering.”
“As for talent, I no longer possess it. Art I despise, since I see
fame bestowed upon fellows without merit. As for my strength, it
vanished with Virginie,--a girl who left me to follow a waiter of a
_café_.”
Public-domain text, read in full here on John Shaqi.
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