Humoresque: A Laugh on Life with a Tear Behind ItHurst, Fannie
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Humoresque: A Laugh on Life with a Tear Behind It
Hurst, Fannie
Fiction; Short stories, American
"You hear, Mrs. Schump? Is it any wonder she don't get out? All I got to
do is say the word, and any friend of mine is welcome in Gert
Cobb's house."
"I'll make you up them five yards of pink mull for it, Stella. It's a
shame that pretty dress-pattern from your two birthdays ago has never
had the occasion to be made up. It's nice of Cora to be puttin'
herself out."
"Look at 'er, like I was asking her to a funeral!"
"There's such a pretty sash I been savin' to make up with that mull,
Cora. A handsome black-moire length of ribbon off a beaded basque her
father gimme our first Christmas married."
"I'll lend her my pink pearls to wear. Honest, I never knew a girl could
wear pink like Stella."
Miss Schump leaned forward in the lamplight, the myriad of tight little
braids at angles, but her eyes widening to their astounding blueness.
"Not your--pink beads, Cora?"
"You heard me the first time, didn't you? 'Pink' was what I said."
"Ma!"
"Now ain't that nice of Cora?"
"Quick--are you game?"
"Why, yes--Cora."
* * * * *
There is a section of New York which rays out rather crazily from old
Jefferson Market and Night Court in spokes of small streets that seem
to run at haphazard angles each to the other--that less sooty part of
Greenwich not yet invaded by the Middle West in search of bohemia. An
indescribable smack of Soho here, tired old rows of tired old houses
going down year by year before the wrecker's ax, the model tenement
rising insolently before the scar is cold.
It is that part of the Latin Quarter which is literally just that, lying
slightly to the south and slightly to the west of that odd-fellow's land
of short-haired women and long-haired men. Free love, free verse, free
thought, free speech, and freed I.W.W.'s have no place here. For three
blocks a little Italy runs riot in terms of pastry, spaghetti, and
plaster-of-Paris shops, and quite as abruptly sobers and becomes Soho
again. A Greek church squats rather broadly at the intersection of three
of these streets.
There intervened between Stella Schump's and the six-story model
tenement adjoining the Greek church which Miss Gertrude Cobb called
home, a rhomboid of park, municipally fitted with playground apparatus,
the three-block riot of little Italy, the gloomy barracks of old
Jefferson Market and Night Court, and a few more blocks of still intact,
tired old rows of tired old houses.
On a spring night that was as insinuatingly sweet as the crush of a rose
to the cheek there walked through these lowly streets of lower Manhattan
Mr. Archie Sensenbrenner, bounded on the north by a checked,
deep-visored cap; on the south by a very bulldogged and very tan pair of
number nines; on the east by Miss Cora Kinealy, very much of the
occasion in a peaked hood faced in eider-down and a gay silk bag of
slippers dangling; on the west by Miss Stella Schump, a pink scarf
entwining her head like a Tanagra.
"Honest, Cora, I feel just like I'm intruding."
Public-domain text, read in full here on John Shaqi.
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