Hurrell Froude: Memoranda and CommentsGuiney, Louise Imogen
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Hurrell Froude: Memoranda and Comments
Guiney, Louise Imogen
Froude, Richard Hurrell, 1803-1836
simple; and therefore, of course, do not you repeat it. The exuberance
of the grass and the foliage is oppressive, as if one had not room to
breathe, though this is a fancy. The depth of the valleys and the
steepness of the slopes increase the illusion, and the Duke of
Wellington would be in a fidget to get some commanding point to see
the country from. The scents are extremely fine, so very delicate yet
so powerful; and the colours of the flowers as if they were all shot
with white. The sweet peas especially have the complexion of a
beautiful face: they trail up the wall, mixed with myrtles, as
creepers. As to the sunset, the Dartmoor heights look purple, and the
sky close upon them a clear orange. When I turn back and think of
Southampton Water and the Isle of Wight, they seem, by contrast, to be
drawn in Indian ink, or pencil. Now I cannot make out that this is
fancy, for why should I fancy? I am not especially in a poetic mood. I
have heard of the brilliancy of Cintra and still more of the East, and
I suppose that this region would pale beside them; yet I am content to
marvel at what I see, and think of Virgil’s description of the purple
meads of Elysium. Let me enjoy what I feel, even though I may
unconsciously exaggerate.’
Newman’s senses were extraordinarily delicate: he writes as if at
thirty he was half unaware of some of his most special faculties.
A week later, a postscript follows, addressed to Harriett Newman,
telling of ‘a sermon to write for to-morrow, which I do believe to be
as bad a one as I have ever written, for I was not in the humour; but
I do not tell people so. It may do good, in spite of me!’ and this
confidence: ‘The other day the following lines came into my head. They
are not worth much; but I transcribe them:
‘There strayed awhile, amid the woods of Dart,
One who could love them, but who durst not love:
A vow had bound him ne’er to give his heart
To streamlet bright, or soft secluded grove.
’Twas a hard humbling task, onward to move
His easy-captured eye from each fair spot,
With unattached and lonely step to rove
O’er happy meads which soon its print forgot.
Yet kept he safe his pledge, prizing his pilgrim lot.’[74]
Public-domain text, read in full here on John Shaqi.
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