Unlike Kingo and Grundtvig, Brorson wrote no outstanding hymns on the sacraments. Pietism was in the main a revival movement and placed no special emphasis on the means of grace. And although Brorson remained a loyal son of the established church, he wrote his finest hymns on those phases of Christianity most earnestly emphasized by the movement to which he belonged. While this is only what could be expected, it indicates both his strength and limitation as a hymnwriter. He was above all the sweet singer of Pietism. The hymns of Brorson that appeared during his lifetime were all written within the space of four years. In that brief period he composed a volume of songs that rank with the finest in the Christian church, and just as he might have been expected to produce his finest work, he discontinued his effort. The hymns of the _Swan-Song_--which we shall discuss later--though written for his own edification, indicate what he might have attained if he had continued to write for publication. His reason for thus putting aside the lyre, which for a little while he had played so appealingly, is unknown. Some have suggested that he wrote his hymns according to a preconceived plan, which, when completed, he felt no inclination to enlarge; others have surmised that the new and ardent duties, bestowed upon him about this time, deprived him of the leisure to write. But as Brorson himself expressed no reason for his action, no one really knows why this sweet singer of Pietism so suddenly ceased to sing. ---------- [5]Another translation with the same first line by A. M. Andersen in "Hymnal for Church and Home". [6]Another translation: "The faith that God believeth" by P. C. Paulsen in "Hymnal for Church and Home". [7]Another translation: "I walk in danger all the way" by D. G. Ristad in "Hymnal for Church and Home". Chapter Ten Brorson's SWAN-SONG The Pietist movement, new and numerically small when the Brorsons aligned themselves with it, made such sweeping progress that within a few years it became the most powerful movement within the Danish church. And in 1739, it ascended the throne in the persons of King Christian VI and his consort, Queen Sophia Magdalene of Kulmbach, an event of great significance to the fortunes of the Brorsons.