"Here is the old gentleman himself!" exclaimed Flemming.
"Where!" cried the Baron, as if for the moment he expected to see the
living figure of the poet walking before them.
"Here at the window,--that full-length cast. Excellent, is it not! He
is dressed, as usual, in his long yellow nankeen surtout, with a white
cravat crossed in front. What a magnificent head! and what a posture!
He stands like a tower ofstrength. And, by Heavens! he was nearly
eighty years old, when that was made."
"How do you know?"
"You can see by the date on the pedestal."
"You are right. And yet how erect he stands, with his square shoulders
braced back, and his hands behind him. He looks as if he were standing
before the fire. I feel tempted to put a live coal into his hand, it
lies so invitingly half-open. Gleim's description of him, soon after he
went to Weimar, is very different from this. Do you recollect it?"
"No, I do not."
"It is a story, which good old father Gleim used to tell with great
delight. He was one evening reading the Göttingen Musen-Almanach in a
select society at Weimar, when a young man came in, dressed in a short,
green shooting-jacket, booted and spurred, and having a pair of
brilliant, black, Italian eyes. He in turn offered to read; but finding
probably the poetry of the Musen-Almanach of that year rather too
insipid for him, he soon began to improvise the wildest and most
fantastic poems imaginable, and in all possible forms and measures, all
the while pretending to read from the book. `That is either Goethe or
the Devil,' said good old father Gleim to Wieland, who sat near him. To
which the `Great I of Osmannstadt' replied; `It is both, for he has the
Devil in him to-night; and at such times he is like a wanton colt, that
flings out before and behind, and you will do well not to go too near
him!' "
"Very good!"
"And now that noble figure is but mould. Only a few months ago, those
majestic eyes looked for the last time on the light of a pleasant
spring morning. Calm, like a god, the old man sat; and with a smile
seemed to bid farewell to the light of day, on which he had gazed for
more than eighty years. Books were near him, and the pen which had just
dropped, as it were from his dying fingers. `Open the shutters, and let
in more light!' were the last words that came from those lips. Slowly
stretching forth his hand, he seemed to write inthe air; and, as it
sank down again and was motionless, the spirit of the old man
departed."
"And yet the world goes on. It is strange how soon, when a great man
dies, his place is filled; and so completely, that he seems no longer
wanted. But let us step in here. I wish to buy that cast; and send it
home to a friend."
CHAPTER IX. THE DAYLIGHT OF THE DWARFS, AND THE FALLING STAR.
Public-domain text, read in full here on John Shaqi.
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