and the Strauss-walzes sounded pleasantly in the ears of Flemming, who,
though he never danced, yet, like Henry of Ofterdingen, in the Romance
of Novalis, thought to music. The wheeling waltz set the wheels of his
fancy going. And thus the moments glided on, and the footsteps of Time
were not heard amid the sound of music and voices.
But suddenly this scene of gayety was interrupted. The door opened
wide; and the short figure of a gray-haired old man presented itself,
with a flushed countenance and wild eyes. He was but half-dressed, and
in his hand held a silver candlestick without a light. A sheet was
wound round his head, like a turban; and he tottered forward with a
vacant, bewildered look, exclaiming;
"I am Mahomet, the king of the Jews!"
At the same moment he fell in a swoon; and was borne out of the room by
the servants. Flemming looked at the lady of the festival, and she was
deadly pale. For a moment all was confusion; and the dance and the
music stopped. Theimpression produced on the company was at once
ludicrous and awful. They tried in vain to rally. The whole society was
like a dead body, from which the spirit has departed. Ere long the
guests had all dispersed, and left the lady of the mansion to her
mournful, expiring lamps, and still more mournful reflections.
"Truly," said Flemming, to the Baron, as they wended their way
homeward, "this seems not like reality; but like one of the sharp
contrasts we find in novels. Who shall say, after this, that there is
not more romance in real life, than we find written in books!"
"Not more romance," said the Baron, "but a different romance."
A still more tragic scene had been that evening enacted in Heidelberg.
Just as the sun set, two female figures walked along the romantic
woodland path-way, leading to the Angel's Meadow, a little green
opening on the brow of one of the high hills, which see themselves in
the Neckar and hear the solemn bells of Kloster-Neuburg. The evening
shadows were falling broad and long; and the cuckoo began to sing.
"Cuckoo! Cuckoo!" said the eldest of the two figures, repeating an old
German popular rhyme,
`Cuckoo! Cuckoo!
Tell me true,
Tell me fair and fine,
How long must I unmarried pine!' "
It was the voice of an evil spirit, that spoke in the person of
Madeleine; and the pale and shrinking figure, that walked by her side,
and listened to those words, was Emma of Ilmenau. A young man joined
them, where the path turns into the thick woodlands; and they
disappeared among the shadowy branches. It was the Polish Count.
The forget-me-nots looked up to heaven with their meek blue eyes, from
their home in the Angel's Meadow. Calmly stood the mountain of
All-Saints, in its majestic, holy stillness;--the river flowed so far
below, that the murmur of itswaters was not heard;--there was not a
sigh of the evening wind among the leaves,--not a sound upon the earth
nor in the air;--and yet that night there fell a star from heaven!
CHAPTER X. THE PARTING.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account