I, Mary MacLane: A Diary of Human DaysMacLane, Mary
General
I, Mary MacLane: A Diary of Human Days
MacLane, Mary
MacLane, Mary, 1881-1929; Montana -- Biography; Women authors, American -- Biography
Now feels like a fitting time for you to be personal with me, to give
me a sign that you know I’m here. I know I am blind and ignorant
about that. You may know a time that shall be more fitting, a time
when my still mood and two dresses are long gone and my life is made
of fluff and lightness so your sign will crash into it like a black
two-ton meteor. I only tell you how it seems. If you should come
now and speak to me I should feel suddenly glad. To-day feels such
a day-of-God. The sky is all wet silver and the air a thin cloud
of gold. I sit writing you by my window, often looking out with
my forehead resting against the cool pane. There is an ache in my
forehead, in my insteps, in my backbone and in my spirit. By stopping
in here a moment you would gladden me. If you could give me, or show
me--where it perhaps had always been--one true thing to have always
in my life I should cling to it and ask nothing of it but that it
remain true. If you’d make me one far-off promise of a dawn to come
after this tired darkness I would take your word for it and would
walk toward your dawn in a straight road from which I should not ever
turn aside. In me is a small torch glowing though set in chaos. By
its light I should keep in the road leading to your dawn. I should
keep in it at any sacrifice to my merely human self: any sacrifice,
believe me.
It isn’t a bargain I would make with you. I don’t like the thought of
a bargain with you. I would rather take the chance and lose honestly:
not in everything but in this matter with you. You show me the road
and I take it for the sole reason that it’s a true one. I should
expect myself to pay the tolls--heavy ones since I’m innately a liar,
a someway bad lot. I know, the same as I know one and one make two,
that I’ve only to be square in the human business of living to get
back a square deal, though I’ll get badly battered, with it. But it
isn’t what I mean. Something inside me hungers for answeringness--a
Gleam--to make me know the worldly squareness and the battering are
worth while beyond themselves: but a detail in the game.
You mightn’t guess it but I am diffident about broaching this much
that may sound like a plea, so I’ll say no more of it.
But before I close the letter I want to tell you that I’m not wanting
in gratitude for the terrible beauty of this world. I feel with
ecstasy the burning loveliness of the life you give the human race.
I want to tell you thank-you for some things in it. But all that they
mean I can not tell in words.
Only yesterday a light at sundown lingered on the hill-tops and on
the desert back of the School of Mines in tints of Olive and Copper
and Ochre and Rose so delicate, so radiant, so dumbly forlorn that
I closed my eyes against it all as I walked along the sand: its
aliveness, its realness, its flawless golden dreadful peace tortured
and twisted and too-keenly interpreted me.
Public-domain text, read in full here on John Shaqi.
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