Great Britain -- Social life and customs -- 19th century -- Fiction; Mystery fiction
Among the other forlorn wanderers in the Parks, there appeared latterly
a trim little figure in black (with the face protected from notice
behind a crape veil), which was beginning to be familiar, day after
day, to nursemaids and children, and to rouse curiosity among harmless
solitaries meditating on benches, and idle vagabonds strolling over the
grass. The woman-servant, whom the considerate doctor had provided, was
the one person in Emily’s absence left to take care of the house. There
was no other creature who could be a companion to the friendless girl.
Mrs. Ellmother had never shown herself again since the funeral. Mrs.
Mosey could not forget that she had been (no matter how politely)
requested to withdraw. To whom could Emily say, “Let us go out for a
walk?” She had communicated the news of her aunt’s death to Miss Ladd,
at Brighton; and had heard from Francine. The worthy schoolmistress had
written to her with the truest kindness. “Choose your own time, my poor
child, and come and stay with me at Brighton; the sooner the better.”
Emily shrank--not from accepting the invitation--but from encountering
Francine. The hard West Indian heiress looked harder than ever with
a pen in her hand. Her letter announced that she was “getting on
wretchedly with her studies (which she hated); she found the masters
appointed to instruct her ugly and disagreeable (and loathed the sight
of them); she had taken a dislike to Miss Ladd (and time only confirmed
that unfavorable impression); Brighton was always the same; the sea
was always the same; the drives were always the same. Francine felt a
presentiment that she should do something desperate, unless Emily joined
her, and made Brighton endurable behind the horrid schoolmistress’s
back.” Solitude in London was a privilege and a pleasure, viewed as the
alternative to such companionship as this.
Emily wrote gratefully to Miss Ladd, and asked to be excused.
Public-domain text, read in full here on John Shaqi.
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