Iamblichus' Life of Pythagoras, or Pythagoric Life: Accompanied by Fragments of the Ethical Writings of certain Pythagoreans in the Doric dialect; and a collection of Pythagoric Sentences from Stobaeus and others, which are omitted by Gale in his Opuscula Mythologica, and have not been noticed by any editorIamblichus
Philosophy
Iamblichus' Life of Pythagoras, or Pythagoric Life: Accompanied by Fragments of the Ethical Writings of certain Pythagoreans in the Doric dialect; and a collection of Pythagoric Sentences from Stobaeus and others, which are omitted by Gale in his Opuscula Mythologica, and have not been noticed by any editor
Iamblichus
Ethics, Ancient; Philosophers -- Greece -- Biography; Philosophy, Ancient; Pythagoras; Pythagoras and Pythagorean school
parts are of a ruling nature, and are as it were certain ladders and
seats of wisdom and life. But other[25] things were considered by him as
sacred on account of the nature of a divine reason. Thus he exhorted his
disciples to abstain from mallows, because this plant is the first
messenger and signal of the sympathy of celestial with terrestrial
natures. Thus, too, he ordered them to abstain from the fish melanurus;
for it is sacred to the terrestrial Gods. And also not to receive the
fish erythinus, through other such like causes. He likewise exhorted
them to abstain from beans, on account of many sacred and physical
causes, and also such causes as pertain to the soul. And he established
as laws other precepts similar to these, beginning through nutriment to
lead men to virtue.
CHAP. XXV.
Pythagoras was likewise of opinion that music contributed greatly to
health, if it was used in an appropriate manner. For he was accustomed
to employ a purification of this kind, but not in a careless way. And he
called the medicine which is obtained through music by the name of
purification. But he employed such a melody as this about the vernal
season. For he placed in the middle a certain person who played on the
lyre, and seated in a circle round him those who were able to sing. And
thus, when the person in the centre struck the lyre, those that
surrounded him sung certain pæans, through which they were seen to be
delighted, and to become elegant and orderly in their manners. But at
another time they used music in the place of medicine. And there are
certain melodies devised as remedies against the passions of the soul,
and also against despondency and lamentation,[26] which Pythagoras
invented as things that afford the greatest assistance in these
maladies. And again, he employed other melodies against rage and anger,
and against every aberration of the soul. There is also another kind of
modulation invented as a remedy against desires. He likewise used
dancing; but employed the lyre as an instrument for this purpose. For he
conceived that the pipe was calculated to excite insolence, was a
theatrical instrument, and had by no means a liberal sound.[27] Select
verses also of Homer and Hesiod were used by him, for the purpose of
correcting the soul. Among the deeds of Pythagoras likewise, it is said,
that once through the spondaic song of a piper, he extinguished the rage
of a Tauromenian lad, who had been feasting by night, and intended to
burn the vestibule of his mistress, in consequence of seeing her coming
from the house of his rival. For the lad was inflamed and excited [to
this rash attempt] by a Phrygian song; which however Pythagoras most
rapidly suppressed. But Pythagoras, as he was astronomizing, happened to
meet with the Phrygian piper at an unseasonable time of night, and
persuaded him to change his Phrygian for a spondaic song; through which
Public-domain text, read in full here on John Shaqi.
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