Though I have never read a racing novel, I can imagine it quite easily. Lord Newmarket's old home is mortgaged, mortgaged everywhere. His house is mortgaged, his park is mortgaged, his stud is mortgaged, his tie-pin is mortgaged; yet he wants to marry Lady Angela. How can he restore his old home to its earlier glories? There is only one chance. He must put his shirt (the only thing that isn't mortgaged) on Fido for the Portland Vase. Fido is a rank outsider--most of the bookmakers thought that he was a fox-terrier, not a horse--and he is starting at a thousand to one. When the starting-gate goes up, Fido will carry not only Lord Newmarket's shirt, but Lady Angela's happiness. Was there ever such a race before in the history of racing? Only in the five thousand other racing novels. But Lord Newmarket is reckoning without Rupert Blacknose. Blacknose has not only sworn to wed Lady Angela, but it is he who holds the mortgages on Lord Newmarket's old home. It is at Newmarket Villa that he means to settle down when he is married. If Fido wins, his dreams are shattered. At dead of night he climbs into Fido's stable, and paints him white with a few black splotches. Surely _now_ he will be disqualified as a fox-terrier! He climbs out again, laughing sardonically to himself.... The day of the great race dawns. The Portland Vasel Who has not heard of it? In the far-away Malay Archipelago... in the remotest parts of the Australian bush... in West Kensington... etc., etc. Anyway, the downs were black with people, and the stands were black with more people, and the paddock was packed with black people. But of all these people none concealed beneath a mask of impassivity a heart more anxious than Lord Newmarket's. He wandered restlessly into the weighing-room. He weighed himself. He had gone down a pound. He wandered out again. The downs were still black with humanity. Then came a hoarse cry from twenty thousand throats. _"They're off!"_ Yes, well, Mr. Gould's novels are probably better than that. But it is a terrifying thought that he wrote a hundred and thirty of them. A hundred and thirty times he described that hoarse cry from twenty thousand throats, "They're off!" A hundred and thirty times he described the downs black with humanity, and the grandstand, and the race itself, and what the bookmakers were saying, and the scene in the paddock. How did he do it? Had he a special rubber stamp for all these usual features, which saved him the trouble of writing them every time? Or did he come quite fresh to it with each book? He wrote five of them every year; did he forget in March what he said in January, only to forget in June and visualize the scene afresh? To describe a race-course a hundred thirty times--what a man!